书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

作者印记：睿□

题跋资料:

题跋类别：题跋；作者：曹尔堪边幅顾庵；书体：行书；全文：逼真元人。顾庵。印记：尔堪印

题跋类别：题跋；作者：吴山涛对幅山涛；书体：行书；全文：善学大癡。唯我臣虎。此作在黄邹之间。山涛。印记：岱观

题跋类别：题跋；作者：梅磊对幅梅磊；书体：草书；全文：赵大年作画平远。绝似右丞。此派传之云林。虽工致不敌。而着色苍古胜矣。此幅可谓兼能。梅磊。印记：杓司

主题:

主要主题：山水秋景 ；其他主题：山水江河、湖海 ；其他主题：树木  ；其他主题：建筑寺庙 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3229-3236 收藏着录： 故宫书画录（卷六），第四册，页273-281 收藏着录： 故宫书画图录，第三十册，页272-285 参考书目： 1.邱士华，〈清七处山水、疏林远岫〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页346-347。 内容简介（中文）： 七处，俗姓朱，字翰之，金陵人，生卒年不详，入清后出家为僧。画风空灵雅秀，是金陵画派的先驱。前景画疏树数株，若干似倾身向前，望向对岸的红墙古寺；古寺边陪衬数株林木，其后尖翘山峰数座兀立。全图皆染以清淡墨彩，呈现出飘渺虚幻之感。画幅左方吴岱观（明末清初人）题跋称此作介于黄公望及善仿黄公望的邹之麟（明末清初人）之间。全幅疏简的笔墨，表现当时人对黄公望风格的理解。(清周亮工集名家山水册 第九开 20110609) 内容简介（英文）： Qichu (secular surname Zhu, style name Hanzhi) was a native of Jinling (Nanjing). His birth and death dates are unknown, but he became a monk in the early Qing period. The light spirit and elegant beauty of his painting style make him a forerunning of the Nanjing School.The foreground of this work depicts a few scattered trees with some leaning towards the ancient red-walled temple on the opposite bank. Contrasting with the ancient temple are several trees, behind which are some pointed peaks standing tall and straight. The entire work was done in light and elegant tones of ink and colors, revealing an effect of ethereal illusion. Left of the painting is an inscription by Wu Daiguan (fl. late Ming and early Qing), who wrote that this work is a cross between that of Huang Gongwang and Zhou Zhilin (also of the late Ming and early Qing), who excelled at imitating Huang’s style. The sparse and simple brushwork throughout this work expresses an understanding of Huang Gongwang’s style among artists of the time.(20110609)