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色彩:
水墨装裱形式:
册(折装‧方幅式)创作时间:
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本幅纸释文:
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题跋资料:
题跋类别:作者款识;作者:项圣谟;题跋位置:本幅;款识:百滩度流水。万壑响松风。此二语曾见赵文敏题画。偶忆到作图。并为拈出。项孔彰。;书体:行书;全文: 印记:考古証今、从闻思修赏心乐事、项圣谟主题:
主要主题:山水 ;次要主题:树木松 ;其他主题:山水江河、湖海水纹;其他主题:山水溪涧、湍泉 ;其他主题:人物高士(士人、隐士) ;其他主题:树木 ;其他主题:器用枴杖技法:
写意参考资料:
收藏着录: 石渠宝笈三编(御书房),第七册,页3229-3236 收藏着录: 故宫书画录(卷六),第四册,页273-281 收藏着录: 故宫书画图录,第三十册,页272-285 内容简介(中文): 项圣谟(西元一五九七至一六五八年),元汴之孙,嘉兴人。字孔彰,号易庵,又号胥樵。工书画,山水初学文衡山,扩于宋而取韵于元,花竹木石亦精妙。 近岸偃蹇作三松,一翁柱杖立其下,重汀滩水,一望无尽,远山间以云气,故旷远之势不减。 内容简介(英文): Hsiang Sheng-mo, tzu K’ung-chang, hao I-an and Hsu-chiao, was a grandson of the noted collector Hsiang Yuan-pien. Hsiang Sheng-mo first learned to paint landscapes in the manner of Wen Cheng-ming (1470-1559), but later studied the works of the Sung and Yuan dynasty masters. He also excelled at painting flowers, bamboo, trees, and rocks. In the foreground of this painting an old scholar stands with his staff under three tall pines. In the middle distance a stretch of sandy banks spreads on both sides of a spring. In the far distance clouds envelop the high mountains, accentuating the feeling of an expansive distance.