书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：棠邨审定
收传印记：蕉林玉立氏图书
收传印记：御书（瓢印）
收传印记：张则之

题跋资料:

题跋类别：题签；    黄居寀竹石锦鸠

主题:

主要主题：翎毛斑鸠 ；次要主题：山水溪涧、湍泉溪涧；次要主题：树木竹 ；其他主题：山水江河、湖海江河；其他主题：树木  ；其他主题：花草芦苇 

技法:

工笔 皴法雨点皴

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2490 收藏着录： 故宫书画录（卷六），第四册，页180 收藏着录： 故宫书画图录，第二十九册，页152-159 参考书目： 1.林柏亭，〈黄居寀竹石锦鸠〉，收入国立故宫博物院编，《宋代书画册页名品特展》（台北：国立故宫博物院，1995年初版一刷），页284-285。2.林柏亭，〈「七十件书画册页名品特展」精选(五) — 黄居寀竹石锦鸠〉，《故宫文物月刊》，第150期（1995年9月），页92。3.谭怡令，〈竹石锦鸠〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页372-373。 内容简介（中文）： 竹树巨石之侧，流出一湾溪水。十只斑鸠或飞翔、或理翎、或饮泉、或栖息，俱生动传神。从画坡土、石头之表现法及风格来看，与属李唐（西元1049─1130年后）风格之「万木奇峰」颇为近似。但本幅在水墨皴笔之运用上较为巧熟，而且石块组合的水墨阴阳浓淡对比，也比较强烈。由此推断，本幅可能画于十二世纪后半叶。本幅选自「名绘集珍」册第八幅，旧传为黄居寀（933─993以后）之作。黄氏，四川成都人，字伯鸾。花鸟画名家黄筌之季子，能传家学。 内容简介（中文）： 本幅为「名绘集珍」册第八幅，旧传为黄居寀（西元九三三—九九三年以后）之作。竹树巨石之侧，流出一湾溪水。十只斑鸠或飞翔、或理翎、或饮食、或栖息，俱生动传神。从画坡石之表现法及风格来看，与属李唐（约一○四九—一一三○以后）风格之「奇峰万木」颇为近似。但在水墨皴笔之运用上较为巧熟，且石块组合的水墨阴阳浓淡对比，也比较强烈。由此推断，本幅可能画于十二世纪后半叶。 内容简介（中文）： 溪流两岸虚实相应，一在烟岚中仅见坡脚。一见坡石、竹与栎树等，斑颈鸠十只活动其间。 旧传黄居寀（933─993以后）所作，然意趣疏放并不相类。坡石风貌接近传承李唐（约1049-1130后）风格之传宋燕文贵（活动于10世纪末-11世纪初）「奇峰万木」，同属李唐一系作品。熟练度较高的笔法，浓淡对比较分明的山石墨色，于马远（活动于1190-1224）、夏珪（活动于1180-1230前后）时期更显见，因推断此作约完成于十二世纪下半叶。(20101015) 内容简介（英文）： The solid and void areas of the stream banks echo each other in this painting, with only the foot of the slope seen in hazy mist. Active in this scene amongst the rocky slopes, bamboo, and oak tree are ten spotted-necked doves.The old attribution here is to Huang Jucai, but the more spacious feeling is unlike his other works. The appearance of the rocky slopes is closer to the style of “Strange Peaks and Myriad Trees,” attributed to the Song artist Yan Wengui (fl. late 10th c.-early 11th c.) as followed by Li Tang (ca. 1070-after 1150), making this work also in the Li Tang heritage. The high degree of maturity in the brushwork and the clear distinction between the contrast of light and dark ink tones for the rocks appear even more obvious in the period of Ma Yuan (fl. 1190-1224) and Xia Gui (fl. 1180-ca. 1230). Therefore, this work was probably done sometime in the latter half of the twelfth century.(20101015) 内容简介（英文）： This is the 8th leaf from the album Collected Gems of Famous Paintings. The old label identifies the painter as Huang Chü-ts'ai. Some bamboo appear next to the bend of a stream. Ten doves are shown in a variety of poses, including flight, preening, drinking, or at perch. From the description of the slope and the style, this painting appears related to Strange Peaks and Myriad Trees by Li T'ang (ca.1049-after 1130). The use of monochrome texture strokes, however, is more mature, and the arrangement of contrasts in light and dark ink for the volume of the rocks is also stronger. For these reasons, this album leaf might have been painted in the second half of the 12th century during the Southern Sung. 内容简介（英文）： Next to some bamboo, a tree, and a large rock, the bend in a stream is seen emerging. Ten doves appear in this lively scene; some are perched in the tree branches while others are flying or drinking from the stream. Judging from the style, especially the method of depicting the earthen bank and stones , this work is similar to “Myriad Trees and strange Peaks “by Li T'ang (ca. 1049-after 1130). However ,the use of texture strokes is more mature in this work, and the contrasts of light and dark area arranged among the rock surfaces (in terms of voids versus solids and heavy versus light washes of ink) is also stronger here. Thus , this painting may date from the latter half of the twelfth century. This is the eighth leaf from the album Ming-hui Chi-chen, and the old label gives Huang Chü-ts'ai as the painter. Huang chü-ts'ai(style name Po-luan) was a native of Cheng-tu, Szechwan, who was the son of the famous bird and flower painted Huang Ch'üan and his follower.