书体:

色彩:

浅设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：张则之
收传印记：棠邨审定
收传印记：蕉林玉立氏图书

题跋资料:

题跋类别：题签；    夏禹玉松厓客话

主题:

主要主题：山水  ；次要主题：树木松 ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）高士；其他主题：树木  ；其他主题：树木竹 ；其他主题：花草 草

技法:

皴法斧劈皴人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2490 收藏着录： 故宫书画录（卷六），第四册，页180 收藏着录： 故宫书画图录，第二十九册，页152-159 参考书目： 1.李霖灿，〈山水画中点景人物的断代研究〉，《故宫季刊》，第十三卷第二期（1978年冬），页25-40。2.赖毓芝，〈松崖客话〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页368。 内容简介（中文）： 画面描绘两人坐于树阴溪畔清谈，左边一悬崖浮现于天际，崖上苍松枝干向右拖曳，圈围住作为主角的两位文士。沿着水边的沙渚，横江眺望对岸，隐约间草丛摇曳，呈现一派迷蒙而幽远的景境。画中风动之树的描绘的确是夏珪作品的特点之一，但是坡岸以水墨晕染、边缘留白、下方刷斧劈皴的作法，却让人想起马远的作品。因此，此作可说混合了马远与夏珪的风格，成画时间可能稍晚于两者。(20101015) 内容简介（英文）： This painting shows two figures sitting in the shade of a pine tree engaged in lofty conversation by the banks of a river. The cliff at the left seems to float in the sky as the trunk and branches of an old pine tree extend to the right, turning back to the two scholars below who form the focus of the painting. Gazing out from the shoals of the foreground bank is a view of the river and its distant shore, where a pocket of vegetation seems to sway half-hidden, expressing a misty and remote scene.The depiction of the tree here as seemingly moving with the breeze is indeed one of the characteristic features of Xia Gui’s works. However, the washes of ink for the shores, the peripheries left blank, and the technique of “axe-cut” texture strokes in the lower part are more reminiscent of works by Xia Gui’s contemporary, Ma Yuan. Thus, this work can be considered a mixture of both their styles, perhaps being done slightly later than either artist.(20101015)