书体:

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页738 收藏着录： 故宫书画录（卷六），第四册，页270-271 收藏着录： 故宫书画图录，第三十册，页96-101 内容简介（中文）： 本册计二十幅，选展其七。无款印。画法密实，虽云册页小幅，但布景、用笔、渲染、设色，乃至一树一人，不因小而有所疏忽，表现出画家精神饱满，处处照顾周到。明人山水，承袭宋元，学元人者，自由主观；学宋人者，重理客观。本册于笔法运用，偏学元人，但空间观念，又是融合宋人手法，前后景清清楚楚，直欲令人从容坐游其间，这是累积前代经验所致。本册虽无名款，就风格论，与同时展出之明代陆远摹古册，实在非常相近，可能即出于陆氏之手，或其同师承者。 内容简介（英文）： There are twenty leaves in this album of which seven are exhibited. The album leaves have neither the signature nor seals of the artist. The painting style is detailed. Although these are small-sized album leaves, the compositions, brushwork, washes, coloration, even each figure and each tree, are all carefully executed. All these elements reveal the artist's skill and desire to pay attention to all aspects of the paintings despite the small size. Ming dynasty artists who painted landscapes continued in the tradition of Sung (960-1279) and Yüan (1279-1368) artists. Those who studied Yüan artists exhibited freedom and subjectivity, while those who followed Sung artists emphasized principles and objectivity. In this album, the artist tended to follow Yüan dynasty brushwork but incorporated the concepts of space developed by Sung artists. The foregrounds and backgrounds are depicted in a clear fashion, as though inviting the viewer into the paintings. This album is the result of an accumulation of painting techniques. Although unsigned, in terms of style, this album is so similar to the album Copies of Ancient Paintings by Lu Yüan also in this exhibition that it might even be by Lu Yüan or one of his close followers.