书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

明神宗万历四十三年（1615）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：朱承䌽；题跋位置：本幅；款识：江南嘉燕尽乌衣。独尔翩翩戴雪归。不厌同群趋社至。肯将奇羽傍人飞。爱风斜处霓裳舞。带月来时玉剪辉。莫向雕梁频舌弄。上方言路有危机。乙卯（西元一六一五年）春日画并题。似若木先生博笑。朱承䌽。；书体：楷书；全文： 印记：朱承䌽印、齐王孙

主题:

主要主题：花草梨花 主要主题：翎毛燕白燕

技法:

写意 

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第二册，页1124-1126 收藏着录： 故宫书画录（卷六），第四册，页271 收藏着录： 故宫书画图录，第三十册，页102-115 内容简介（中文）： 胡起昆（西元十七世纪），上元（今南京）人。父宗仁，工诗画，山水师倪瓒，晚出入王蒙、黄公望二家，起昆书画颇有乃父之风。本幅溪山茅堂，左上方瀑布顺山势而下，隐没于松林之中，右方小桥横架，流水汨汨然于碎石之中。通幅山巖坡石均以牛毛皴出之。高士独坐茅堂，衣纹简静而肯定，为全幅题目点出重心所在。本幅为「明人画幅集册」中之一幅。 内容简介（英文）： Sitting Alone in a Thatched Hut Hu Ch’i-k’un (17th century) Ming Dynasty Hu Ch’i-k’un was a native of Shang-yüan (modern Nanking) and the son of Hu Tsung-jen. He excelled at poetry and painting, with his landscape paintings initially patterned after that of Ni Tsan (1301-1374) and later after Wang Meng (1308-1385) and Huang Kung-wang (1269-1354). Hu Ch’i-k’un’s style of painting and calligraphy was quite similar to that of his father. In this painting is a thatched hut amidst streams and mountains. In the upper left is a waterfall cascading from the mountains, only to hidden in the pine forest. To the right is a small bridge with water rapidly flowing among the broken rocks. The mountains and rocks have all been rendered with fine “ox-hair” texture strokes. A lofty scholar is seen seated in a thatched cottage. The figure has been rendered simply yet assuredly, and is the focal point of the painting.