书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

主题:

主要主题：佛道人物罗汉（应真、尊者）降龙；次要主题：走兽龙 ；其他主题：山水云 

技法:

写意 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页86 收藏着录： 故宫书画图录，第二十三册，页210-213 内容简介（中文）： 郑重（活动于西元十七世纪上半叶），字千里，安徽歙县人，流寓金陵（今南京）。好楼居，日事香茗，善写佛像，必参沐而后举笔。丁云鹏推为赵伯驹后身，亦画山水小景，摹仿宋体制，均甚精妙。此幅是「十八应真像」之第九开。应真即阿罗汉，乃智慧与真理相应之人。画中应真双手合掌，横眉竖眼，状甚凶恶，岂意欲降龙者乎画衣纹线条流畅肯定，通幅以墨渍染浓云密雾，形容出大自然神祕恐怖，不可意测的景象。 内容简介（英文）： Cheng Chung (style name; Ch'ien-li)was native of She-hsien,Anhwei, but later moved to Chin-ling (modern Nanking). He excelled at painting Buddhist figures and had to first ritually bathe before even picking up a brush to paint. Ting Yun-p'eng (1547 or 1548-after 1628) praised him as an incarnation of Chao Po-chu (fl. 1127-1162). He also excelled at small, exquisite landscape in imitation of Sung(960-1279) and Yuan(1279-1368) dynasty styles. This painting is the ninth leaf from the album "Portraits of the Eighteen Lohans (Ying-chen)." An ying-chen is an a-lo-han (Sanskrit; arhat), corresponding to one who is wise and righteous.Even though the figure in this painting clasps his hands together, wears a scornful frown, and appears wicked, he is actually the Subduing-Dragons Lohan. The drapery lines are fluently and assuredly handled.The spread of ink for the thick clouds and mist amply describe the mysterious, terrify-ing, and unpredictable appearances of Nature.