书体:

色彩:

设色

装裱形式:

册(折装)

创作时间:

清圣祖康熙四十二年（1703）

文字类型:

质地:

本幅　绢

释文:

印记资料:

作者印记：元驭
作者印记：扶风

题跋资料:

主题:

主要主题：花草牡丹 

技法:

工笔 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页140 收藏着录： 故宫书画图录，第二十四册，页272-273 内容简介（中文）： 马元驭（西元一六六九－一七二二年），江苏常熟人。字伏羲，号栖霞，又号天虞山人。眉子。画传家法，而气韵超逸突过乃父。赋性落拓，纵酒逞笔，乃益豪放。写生得恽南田亲得，又与蒋廷锡讨论六法，故没骨画益工，神韵飞动，不泥陈迹。书亦隽雅。 此幅绘牡丹一朵，清雅可爱。作者自题仿宋人法所绘，时年三十五岁。 内容简介（英文）： FlowersMa Yüan-yü (1669-1722)Ch’ing Dynasty Ma Yüan-yü (style name Fu-hsi; sobriquets Ch’i-hsia and T’ien-yü shan-jen) was the son of the Ma Mei and a native of Ch’ang-shu, Kiangsu. Ma Yüan-yü inherited the family tradition of painting, but surpassed his father in informing his pictures with resonance. Being naturally unrestrained, Ma Yüan-yü indulged in drinking and painting to give his style a grand manner. In painting from life, he received the personal instruction of Yün Shou-p’ing and discussed the six principles of painting with Chiang T’ing-hsi. He consequently became a master of the “boneless” wash method of painting. He painted with energy and freedom and was not fettered by tradition. Furthermore, his calligraphy was very elegant. This is a painting of a peony blossom that is both elegant and cute. In Ma Yüan-yü’s inscription, he stated that he was imitating Sung dynasty (960-1279) methods of painting. The painting was done when the artist was 34-years old.