书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

清圣祖康熙四十二年（1703）

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：马元驭；题跋位置：本幅；款识：癸未（西元一七０三年）冬日写宋人法十二帧。马元驭。；书体：行书；全文： 印记：栖霞子、扶羲、马元驭

主题:

主要主题：花草梅（白．红．蜡梅） 主要主题：花草茶花 

技法:

工笔 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页140 收藏着录： 故宫书画图录，第二十四册，页272-273 内容简介（中文）： 马元驭，字伏羲，号栖霞，又号天虞山人。江苏常熟人，生在圣祖康熙八（公元一六六九）年，死在康熙六十一（公元一七二二）年。擅长花鸟画，由于早年亲得恽寿平教授，后又和蒋廷锡相互讨论六法，所以又以没骨花卉最见长。王翬曾称誉他的作品，认为是「神韵飞动，不泥陈迹，高出陈道复、陆治之上」。 但从真实作品看，他的画以明净柔丽见长，至于用笔，既没有陈道复的老辣，也没有陆治的刚健，更缺乏老师恽寿平的潇洒韵致。 内容简介（英文）： Plum Blossoms and CamelliaMa Yüan-yü (1669-1722)Ch’ing DynastyMa Yüan-yü (tzu Fu-hsi, hao Ch’i-hsia and T’ien-yü shan-jen) was a native of Ch’ang-shu, Kiangsu. A well-known painter of birds and flowers, he was a pupil of Yün Shou-p’ing early in his life; later he and Chiang T’ing-hsi would discuss painting principles, and his flowers showed this influence. Wang Hui commented that he recognized Ma Yüan-yü as one who did not copy others, but who was a better artist than Ch’en Tao-fu and Lu Chih.Upon examination of actual works, however, it appears that his paintings are refined and decorative. His brush-strokes do not show the experience of Ch’en Tao-fu, nor the robust quality of Lu Chih; he also lacks the dashing rhythm of his teacher, Yün Shou-p’ing.