书体:
色彩:
设色装裱形式:
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明太祖洪武九年(1376)文字类型:
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本幅纸释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:朱侃;题跋位置:本幅;款识:丙辰(西元一三七六年)元日。佛弟子朱侃敬画。;书体:楷书;全文: 印记:侃主题:
主要主题:佛道人物菩萨文殊一人;次要主题:器用文玩(琴棋书画)经卷技法:
工笔参考资料:
收藏着录: 秘殿珠林续编(干清宫),页137 收藏着录: 故宫书画录(卷五),第三册,页277 收藏着录: 故宫书画图录,第六册,页29-30 内容简介(中文): 朱侃(西元十五世纪中叶),江苏常熟人,字廷直,精人物,山水师夏珪。本幅童贞朱衣绿襟,手持宝蓝经书,衬以层层白云,设色雅淡,笔法细劲圆润。童贞为文殊菩萨的化身。文殊菩萨除本形外,亦现童子、僧人或龙女形象。现童子像时,多如本图所绘散发披肩,双手捧经,立于云中。 内容简介(英文): Mañjuśrī as a YouthChu K’an (mid-15th c.)Ming Dynasty Chu K’an was a native of Ch’ang-shou, Kiangsu. He excelled at figure painting. In landscapes, he studied the style of the Sung painter Hsia Kuei. This painting represents a youth wearing a red robe with a light green collar. He reverently holds a sūtra (Buddhist canon) in a blue cover. White clouds float all around. The colors are elegant, and the brushwork is detailed and mature. This youthful figure is a manifestation of the Mañjuśrī, the Bodhisattva of Wisdom. Other manifestations of this figure take the form of a monk and a dragon maiden. When Mañjuśrī, appears as a youth, he is usually shown as a young man with untied hair and a sūtra in hand among the clouds, as shown in this painting.