书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：太上皇帝之宝
收传印记：洞仙（半印）
收传印记：享志斋（半印）

题跋资料:

题跋类别：作者款识；作者：仇英；题跋位置：本幅；款识：弟子仇英拜写；书体：楷书；全文： 印记：十洲

主题:

主要主题：佛道人物佛 主要主题：佛道人物菩萨文殊、普贤；次要主题：走兽象 ；次要主题：走兽狮二只；其他主题：器用宗教器用普提叶、经卷

技法:

工笔 皴法 皴法披麻皴人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页364 收藏着录： 故宫书画图录，第七册，页287-288 参考书目： 陈韵如；〈（传）明仇英画三大士像〉，收入何传馨主编，《状奇怪非人间　吴彬的绘画世界》（台北：国立故宫博物院，2012年十月初版），页168-171。 内容简介（中文）： 此轴画曾经清宫修裱，山石上方空白处原纸已经挖除。画上有仇英伪款，但从画像面容判断，应属吴彬作风。画中三位大士，左为文殊与青狮，右是普贤与白象。居中者手持贝叶，坐橘红色骑物之上，应是观音与金色犼。左右大士的脸相皆长椭圆型，可见吴彬佛像造型。惜居中者脸部经修改，并非原貌。观音三大士与华严思想有关，源流已久。此画呈现吴彬特色，可说是晚明佛人物图像的成果之ㄧ。(20121018) 内容简介（英文）： The mounting of this painting had been repaired by the Qing dynasty court, resulting in the removal of the blank original paper above the rocks. The painting also has a spurious signature of Qiu Ying; judging from the style, it appears to be in the manner of Wu Bin instead. The work depicts three bodhisattvas (“enlightened beings”), Manjushri on the left on a green tiger and Samantabhadra on a white elephant to the right. In the center holding a palm leaf is probably Avalokiteshvara (Guanyin) on another creature. The faces of the bodhisattvas on the left and right are elongated and round, revealing the Buddhist figural style of Wu Bin. The face of the center figure, however, has been restored and is not original. These three bodhisattvas are related to Avatamsaka thought and have a long history. This work revealing elements of Wu Bin’s style can be said to be a result of late Ming Buddhist figure painting.(20121018)