书体:

色彩:

水墨

装裱形式:

卷

创作时间:

元成宗大德元年（1297）

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：赵孟頫；题跋位置：本幅；款识：大德元年（西元一二九七年）七月廿日书。子昂。；书体：行书；全文：寿春令留犊。大德元年（西元一二九七年）七月廿日书。子昂。印记：赵氏子昂

题跋类别：题跋；作者：宋克拖尾东吴宋克识；书体：草书；全文：夫廉慎居官之要也。为官不难而难于得心。民心不得吾知其不廉也。哀矣。赵学士画此指时苗也。盖苗魏人。素克谨守以廉有名者。尝为寿春令。惟一牝牛拽车而至。及去亦惟一车一牝牛而已。无他物。民无老少不忍其去。悉顶香以送。号呼悲泣。若赤子之生别其父母然。苗思吾在寿春。于民因未尝少有所扰。故车无它物。顾兹一犊。虽由牝牛而生。乃长于斯土者。欲留之。此虽一事之微。亦足以征平日之名矣。苗能人之所不能。万世可则也。宜乎赵公特图之以示人。东吴宋克识。印记：东吴生、仲温

主题:

主要主题：经史‧故事 寿春令留犊主要主题：车兽力车 ；次要主题：人物官员（臣） ；次要主题：人物高士（士人、隐士） ；次要主题：人物百姓 ；次要主题：人物侍从（侍女、童仆） ；次要主题：走兽牛 ；其他主题：人物孩童 ；其他主题：佛道人物僧（和尚、尼姑）和尚；其他主题：器用饮食器托盘、鼎庐、小盘碗、杯；其他主题：器用文玩（琴棋书画）文玩（书画）；其他主题：器用扇 ；其他主题：器用枴杖 ；其他主题：器用挑担 

技法:

白描 工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1048 收藏着录： 故宫书画录（卷八），第四册，页37 收藏着录： 故宫书画图录，第十七册，页89-92 内容简介（中文）： 本卷绘魏寿春县令时苗清廉之故事。时苗为人嫉恶谨守，建安中任寿春县令，深受爱戴。初到任时惟以一母牛拉车至，居官年馀，牛生一犊，及其去职，亦只有一车一母牛，连小犊都不愿带走，只因小牛乃生于当地，可见时苗之一介不取。民众不忍见其离去，纷纷夹道相送悲泣。画上幅末有赵孟頫纪年款印。描绘人物之圆转匀长线条虽近于赵孟頫的风格，但笔墨仍有差异，应为后人所伪讬。 内容简介（英文）： Shih Miao, who was morally upright and despised improper behavior, served as magistrate of Shou-ch'un in the last years of the Eastern Han and was honored and respected for his ideals and principles. The story goes that when he began his term, he had arrived in a simple cart driven by a cow. During his term, the cow gave birth to a calf. When it came time for him to leave, he said he would take only what he brought-the cart and cow. He left behind the calf, which he said was born in Shou-ch'un and should stay there. Moved by his integrity and honesty, the residents turned out to bid him farewell. At the end to the left is a signature of Chao Meng-fu. The brush and ink differ from his style, suggesting this was done by a later hand.