书体:
色彩:
设色,青绿装裱形式:
卷创作时间:
清圣祖康熙十年(1671)文字类型:
质地:
本幅绢拖尾纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:王翬;题跋位置:本幅;款识:山阴霁雪。(隶书)。岁次辛亥(西元一六七一年)冬日。乌目山中人石谷子王翬仿右丞笔。(楷书)。;书体:隶书;全文: 印记:王翬之印、石谷、有何不可主题:
其他主题:建筑栏杆 ;其他主题:人物百姓 ;其他主题:建筑桥 ;其他主题:建筑亭 主要主题:山水冬景(雪景)雪景;其他主题:建筑水榭 ;其他主题:建筑房舍 ;其他主题:花草芦苇 ;其他主题:建筑篱笆、围墙 ;其他主题:树木寒林.枯树枯树;其他主题:船篷舟 ;其他主题:树木松 ;其他主题:山水石磴、栈道栈道;其他主题:山水溪涧、湍泉溪涧;其他主题:人物渔夫、船夫渔夫;其他主题:翎毛 ;其他主题:树木技法:
皴法参考资料:
收藏着录: 石渠宝笈续编(养心殿),第二册,页1152 收藏着录: 故宫书画录(卷八),第四册,页46 收藏着录: 故宫书画图录,第二十册,页151-156 参考书目: 1.王耀庭,〈清王翬临王维山阴霁雪图〉,收入王耀庭编,《青绿山水画特展图录》(台北:国立故宫博物院,1995年七月初版一刷),页96-97。 内容简介(中文): 王翬(西元一六三二-一七一七年),江苏常熟人。字石谷,别号耕烟散人、乌目山人、剑门樵客、清晖主人等。从小便善画,后得拜王鑑、王时敏为师,二人于尽传所学外,又常携带他参观各地收藏,借机临摹古画、揣摩前人技巧,因此他能够笔参古今,貌合南北。王维画今日不可?见,往往于后人摹本中想像髣髴之。此图用笔柔婉,与传世辋川遗迹有相通处,青绿设色,亦能于秾丽中见其雅澹,并时诸人,吴渔山(历)似可与之颉颃,馀子不迨也。 内容简介(英文): Wang Hui was already a capable painter when he met Wang Chien and Wang Shih-min and became their student. In their company he was able to visit many great collections of painting and to absorb various styles ancient and contemporary masters.We can no longer see any works by Wang Wei, the 8th century patriarch of Chinese landscape; we can only envision his work through the copies of his successors. Wang Hui’s manner of handling the brush in this painting executed in 1671 is rather soft and graceful, with some similarity to the “Wang-ch’uan Villa” scroll, a famous work which has its origin traced back to Wang Wei. The archaic landscape style with heavy green coloring has a rather obvious appeal, but the refined unpretentiousness of Wang Hui’s art still shows through. Of his contemporaries who worked in this style, perhaps only Wu Li could also achieve this.