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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:题跋;作者:宋徽宗;题跋位置:本幅;款识:无;书体:楷书;全文:赵干烟霭秋涉图印记:双龙(小玺)、御书(方印)主题:
主要主题:山水秋景 主要主题:山水江河、湖海 主要主题:山水云云雾主要主题:山水烟、雾 ;次要主题:山水瀑布 ;次要主题:人物行旅五人;次要主题:树木 ;次要主题:建筑桥 ;其他主题:器用伞 ;其他主题:器用技法:
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收藏着录: 石渠宝笈续编(重华宫),第三册,页1502 收藏着录: 故宫书画录(卷八),第四册,页54 收藏着录: 故宫书画图录,第一册,页109-110 内容简介(中文): 赵干,南唐时江宁(今南京)人,为李后主(九六一—九七五在位)画院学生,山水多作江南景,论者谓其深得浩渺之意,无一点朝市风埃。山谷间流水潺潺,五名行旅提挽裤脚,相继涉水渡溪,背后的树木已呈枯黄,后岭复重重环抱,此境益为幽深绝尘。旧传本幅为赵干之作。 内容简介(英文): Chao Kan, from Chiang-ning (Nanking), served in the Imperial Painting Academy of Li Yü, the last ruler (r. 961-975) of the Southern T'ang dynasty. His landscapes for the most part depicted the scenery of the Chiang-nan area. It is said that he deeply expressed the boundless sentiment of nature without the slightest taint of mundane affairs.A murmuring stream flows through a mountain valley. Five travellers, rolling up their trousers, are wading through the clear water. In the forest behind them, the leaves are already withered and yellow. The layered peaks serve as an encircling backdrop to the scene, emphasizing the utmost seclusion and profundity.This painting carries an old attribution to Chao Kan.