书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：太上皇帝
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鉴藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙

题跋资料:

主题:

主要主题：佛道人物菩萨 主要主题：佛道人物佛道侍者 主要主题：佛道人物神、仙 主要主题：佛道人物天龙八部 ；其他主题：山水云 ；其他主题：走兽  ；其他主题：走兽龙 ；其他主题：翎毛  ；其他主题：器用宗教器用幡；其他主题：器用兵器 

技法:

人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页90 收藏着录： 故宫书画录（卷八），第四册，页60 收藏着录： 故宫书画图录，第三册，页175-176 内容简介（中文）： 诸天各持法器，随从骑乘护持，皆侧身向右，坐立于虚空云端，或原为一组佛画其中一幅，描绘诸天恭聆佛陀说法的法会盛况。三面六臂的力士，殆为八部中天部的阿修罗﹔持剑的武士群及貌美的女众，则为十二天之一的罗刹与罗刹女，原皆异教鬼神，后被收服成为佛教的护法。全幅丹青彩绘，薄施晕染，画诸天肌肉贲张，衣袖卷折飘举，多用兰叶描法，飞动传神之姿，是传承吴道子以来的职业画家画风。描金钩画衣纹图案，敷色亦多处泥金，益显富丽堂皇。就画风观之，疑似十五世纪明代的作品。 内容简介（英文）： Each of the devas depicted here grasp implements in worship, and are followed by protector servants who sidle on the right. Set in a void among clouds, the work may at one point have been part of a larger Buddhist painting, and presents a grand assemblage respectfully listening to Buddha expound the law. The three-faced, six-armed male figure in the middle-left is Asura, formerly a demon who waged war with gods; warriors holding swords and groups of beautiful women surround Raksasa and Raksasi, formerly two female demons. Originally pagan ghosts and spirits, these figures were later figures were later converted into protectors of the Buddhist truth. This entire work is painted in different pigments, with wash applied lightly. The muscles of the devas are lavishly adorned, their sleeves curled and plaited as if blowing in the wind. With the employment of a technique in which lines are painted to resemble orchid leaves, the artists has captured the manner of flying spirits, a style commonly used by painters after Wu Tao-tzu. By applying gold on the outlines and patterns of decoration on the clothes, the artist has increased the richness and beauty of the work. Because of the visible style of this painting, it is suspected that this work dates to the mid Ming period.