书体:
色彩:
设色装裱形式:
轴创作时间:
元世祖至元二十九年(1292)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:赵孟頫;题跋位置:本幅;款识:至元廿九年(西元一二九二年)夏四月望。弟子赵孟頫画。;书体:行书;全文: 印记:赵氏子昂、松雪斋主题:
主要主题:佛道人物罗汉(应真、尊者)达摩主要主题:佛道人物僧(和尚、尼姑)达摩(同一人);次要主题:山水奇石 ;次要主题:树木松 ;次要主题:花草藤萝 ;其他主题:花草技法:
工笔 皴法 人物衣纹描法(匀称线条) 苔点参考资料:
收藏着录: 秘殿珠林三编(干清宫),页66 收藏着录: 故宫书画录(卷八),第四册,页64 收藏着录: 故宫书画图录,第四册,页33-34 内容简介(中文): 据传达摩为中国禅宗始祖,本为印度王子,南北朝时泛海至中国传法,曾于嵩山少林寺面壁十年,深受国人崇仰。松荫下,达摩身披红色袈裟,手捻白花,趺坐于石上,神情怡然。年款虽为至元二十九年(一二九二),然画法细碎,近于吴门画派末流,当是后人仿本。赵孟頫(一二五四—一三二二),字子昂,号松雪道人。诗文清远,书画为后世所宗。 内容简介(英文): Bodhidharma (?-536) was the son of an Indian king. He is said to have traveled by boat to China in the Northern and Southern Dynasties and have spent 10 years meditating in front of a cliff at the Shao-lin monastery. He is revered in the Far East.Here, Bodhidharma sits in the shade of evergreen trees wearing a red robe. He holds a white blossom and sits at ease cross-legged on a rock. Although the inscription to the right dates this work to 1292, the careful style of painting appears closer to that of a late Wu School painter, making this a later imitation of Chao's work. Chao, a member of the Sung imperial clan, went on to serve the Yüan. Known for his elegant writing, his painting and calligraphy also became models for later generations.