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色彩:
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本幅绢释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:颜辉;题跋位置:本幅;款识:颜辉;书体:楷书;全文: 印记:颜氏秋月主题:
主要主题:经史‧故事 老子骑牛主要主题:人物圣贤老子主要主题:佛道人物道(道士、道姑)老子;次要主题:人物侍从(侍女、童仆)童仆;次要主题:走兽牛 ;其他主题:树木松 ;其他主题:器用枴杖 ;其他主题:器用葫芦技法:
写意 人物衣纹描法(粗细线条) 苔点参考资料:
收藏着录: 秘殿珠林三编(干清宫),页68 收藏着录: 故宫书画录(卷八),第四册,页66 收藏着录: 故宫书画图录,第四册,页257-258 内容简介(中文): 颜辉(西元十三世纪末—十四世纪初),浙江江山人。字秋月,工画人物及写生,并工画鬼,笔法奇绝,饶有生意。传说李耳出关,骑着一头青牛。本幅即画老子骑牛,一童持杖随侍。衣纹粗笔挥洒,鬓发细笔勾画,线条转折起落富变化。就画风言,与颜辉不类,应为明人仿作。 内容简介(英文): Yen Hui (style name Ch'iu-yueh) was a native of Chiang-shan, Chekiang. He excelled at depicting Buddhist and Taoist figures, as well as painting from nature. He was especially noted for his representations of ghosts and for his unusual and spirited brushwork.According to tradition, Lao-tzu is said to have ridden on a blue ox. In this painting, Lao-tzu is shown riding an ox and attended by a boy holding a cane. The brushwork of the drapery is rough and unrestrained, while the lines representing hair are thin and delicate. The variation in the strokes reveals the painter's skill in handling the brush. The style, however, differs from that associated with Yen Hui, and it may represent a copy of the Ming dynasty (1368-1644).