书体:
色彩:
浅设色装裱形式:
轴创作时间:
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本幅绢释文:
印记资料:
作者印记:秋月题跋资料:
主题:
主要主题:佛道人物僧(和尚、尼姑)拾得;其他主题:山水夜景(月景)月景;其他主题:器用 扫帚;其他主题:器用葫芦 ;其他主题:器用服饰(对人)破衲技法:
工笔 人物衣纹描法(粗细线条)参考资料:
收藏着录: 秘殿珠林三编(延春阁),页117 收藏着录: 故宫书画录(卷八),第四册,页66 收藏着录: 故宫书画图录,第四册,页259-260 内容简介(中文): 「拾得」为唐贞观时天台国清寺役僧,由其师丰干禅师拾而养之,故名。与当世高僧寒山友善,俱以癫狂,好吟词偈。传台州守备欲亲谒之,二人乃连臂孝傲而去。图中拾得赤足而衣着褴褛,腰系二葫芦、手执扫帚,口张目扬,似是若有所悟。本幅画中拾得之指尖及根部为填粉法,并传闻中颜辉的橄榄描,起讫较轻,中段沉重,由本幅衣纹处或可观其大略。 内容简介(英文): Yen Hui excelled at Buddhist figure painting and was known for his lively and unusual style.Shih-te was a T'ang dynasty monk of the T'ien-t'ai Buddhist sect who resided at the Kuo-ch'ing Temple. His name translates as "picked up" because he was adopted by his teacher, the Ch’an master Feng-kan. Along with Han-shan, he was said to be an amiable madman and he enjoyed fame for his poetry. Shih-te here is shown barefoot wearing a ragged monk's robe. Two gourds hang from his waist as he holds a broom. With his mouth open, he already seems enlightened. Besides the addition of white pigment, Shih-te's robes also reveal the "olive strokes" associated with the Yen Hui style; they start and end light but have thick centers.