书体:
色彩:
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本幅绢释文:
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作者印记:秋月题跋资料:
主题:
主要主题:佛道人物僧(和尚、尼姑)寒山;其他主题:器用服饰(对人)虎皮叶子;其他主题:器用枴杖技法:
写意 人物衣纹描法(粗细线条)参考资料:
收藏着录: 秘殿珠林三编(延春阁),页117 收藏着录: 故宫书画录(卷八),第四册,页66 收藏着录: 故宫书画图录,第四册,页261-262 内容简介(中文): 寒山,唐代高僧,居天台寒巖,好吟词偈,状似疯狂,后因避访谒者,遁入石穴。本幅画寒山手执柺杖。用线属钉头鼠尾描,转折刚正,且着墨凝重,眼珠两侧、指端、柺杖皆填粉。与拾得幅皆未具名款,风格颇类颜辉一系,因以之。画家颜辉(约十四世纪),字秋月,浙江江山人。善道释人物及写生,并工画鬼,笔法奇绝,饶富生意。 内容简介(英文): Yen Hui, a native of Kiangsu province, excelled at Buddhist and Taoist figure painting as well as sketching from life. He also painted demons and was known for his lively and unusual style.Han-shan is a T'ang poet-monk often paired with Shih-te. Han-shan lived at Han-yen, T'ien-t'ai Mountain, in Chekiang province. He often composed poems and was said to behave like a madman. Later, to avoid visitors, he hid in a cave. Here, he stands wearing rags and a leaf skirt as he holds a cane with a spirited expression. The "nail-head" and "rat-tail" strokes twist in a forceful manner. The ink appears heavy and the eyes, toenails and fingernails, and the cane bear additions of white. Along with the portrait of Shih-te, it appears in the style of Yen Hui.