书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：重华宫鉴藏宝
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：石渠继鑑
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：宋氏穉佳书画库记

题跋资料:

题跋类别：作者款识；作者：丁云鹏；题跋位置：本幅；款识：东山图。（篆书）。州民丁云鹏为徐使君作。（楷书）。；书体：篆书；全文： 印记：丁云鹏印、南羽父

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：乾隆戊寅御题；书体：行书；全文：翠森紫逻郁孱颜。秀色临安想像间。风宇未如文请者。优游讵可学东山。乾隆戊寅御题。印记：干、隆

主题:

主要主题：山水  主要主题：山水名胜东山；次要主题：人物百姓 ；其他主题：山水山径 ；其他主题：山水溪涧、湍泉 ；其他主题：山水江河、湖海 ；其他主题：山水瀑布 ；其他主题：船篷舟 ；其他主题：建筑篱笆、围墙 ；其他主题：建筑桥 ；其他主题：建筑塔 ；其他主题：建筑寺庙 ；其他主题：建筑茅草屋 ；其他主题：建筑房舍 ；其他主题：建筑水榭 ；其他主题：走兽马 ；其他主题：树木  ；其他主题：树木松 ；其他主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：人物行旅 ；其他主题：人物樵夫 ；其他主题：人物渔夫、船夫 ；其他主题：佛道人物僧（和尚、尼姑） 

技法:

写意 皴法 人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页801 收藏着录： 故宫书画录（卷八），第四册，页86 收藏着录： 故宫书画图录，第八册，页355-356 参考书目： 1.〈明丁云鹏东山图〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页96。2.李玉珉；〈心印毫生—丁云鹏绘画展〉，《故宫文物月刊》，第352期（2012年7月份），页90-105。 内容简介（中文）： 本幅描写谢安放情丘壑，悠游东山之事。采全景式构图，画峰峦层叠，涧曲谷深，草木葱茏，苍郁深秀。山下长松林立，苍劲挺拔。全作布局繁密，气势雄浑，以牛毛皴和苔点表现林峦郁茂的景致，并通过溪流、云霭等布置，于稠密中透出灵动的气韵，深受王蒙的影响。本幅款识虽未署年款，但此作的构景和用笔都与万历己亥年（1599）所作的〈庐山图〉相彷彿，唯笔墨较为工整规矩，推测是稍早之作。(20120715) 内容简介（中文）： 丁云鹏（西元一五四五－一六二八年后），安徽休宁人。字南羽，号圣华居士。善道释人物，白描细如游丝之作品似李公麟。于山水、写生亦极精妙。山水构图繁复，皴点细密，青绿山水则似文派作风。 本幅描写六朝时人谢安放情丘壑，悠游东山之事。构景与其万历己亥（一五九九年）所作庐山图有相同处，应是同时或稍早之作。此画峰峦层叠，树丛浓郁，山深林密，涧曲谷深，近似元代王蒙之风格。 内容简介（英文）： Ting Yün-p'eng was a native of Hsiu-ning, Anhwei. His style name was Nan-yü, and his sobriquet was Sheng-hua chü-shih. He excelled at painting Buddhist and Taoist figures, specializing in the pai-miao (outline) style of Li Kung-lin. His landscapes and hsieh-sheng (painting from life) paintings were also excellent. His landscape compositions were complex and varied, and his texture strokes were finely detailed. His blue and green landscapes were depicted in the style of Wen Cheng-ming. In this work, Ting Yün-p'eng has painted a scene of Hsieh An of the Six Dynasties Period (221-589) strolling idly on Mt. Tung. The work bears similarities to his Lofty Mt. Lu painting executed in 1599 and was either painted around the same time or slightly earlier. Layers of mountain peaks and ridges and a dense and verdant forest of trees have been painted in this scene. The dense forest deep in a mountain and curvy mountain stream in a valley are elements which are similar to the style of the Yüan master Wang Meng. 内容简介（英文）： This work is an imaginary depiction of Xie An relaxing among valleys as he travels around Mount Dong. Using a full-scene composition, it depicts layers of ridges with deep winding ravines filled with trees and vegetation for a deep and hoary elegance. The pines below the mountains stand powerful and upright, the composition throughout dense with momentum and vigor. “Ox-hair” texture strokes and moss dots express the luxuriance of forested hills. And with the arrangement of the stream and mists, an air of spirited movement seems to emanate from the crowded scene, reflecting much of the influence of Wang Meng’s style.No date is indicated in Ding Yunpeng’s signature, but the composition and brushwork here are similar to his 1599 depiction of “Lofty Mount Lu,” only that the use of brush and ink is neater and more regulated, thus suggesting a slightly earlier date.(20120715)