书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：董其昌；题跋位置：本幅；款识：倣米海岳潇湘白云图。此乃馀家所藏。尝戏为摹之。董玄宰。；书体：行书；全文： 印记：太史氏、董其昌印、画禅

主题:

主要主题：山水  ；次要主题：山水江河、湖海江河；次要主题：建筑房舍 ；其他主题：建筑水榭 ；其他主题：建筑桥 ；其他主题：建筑篱笆、围墙篱笆；其他主题：树木杨柳 ；其他主题：树木  

技法:

写意 皴法披麻皴皴法米点皴苔点 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页662 收藏着录： 故宫书画录（卷八），第四册，页87 收藏着录： 故宫书画图录，第八册，页243-244 内容简介（中文）： 董其昌（西元一五五五－一六三六年），江苏华亭人。字玄宰，号思白。万历十六年进士。官至礼部尚书。善书法、行草。画山水，宗北苑、巨然，亦集取宋元诸家长处。倡南北宗论，以南宗为正统。富收藏而尤精于鉴赏，曾着《容台集》、《画旨》、《画禅室随笔》诸书。对于后代的画论及艺术发展影响甚钜。 墨画云山数叠，乔林坡陀。通幅笔墨苍厚腴润，无论山皴、叶块，皆神气畅朗、秀润苍郁。虽名仿摹，展现却为己貌。 内容简介（英文）： Tung Ch’i-ch’ang (style name Hsüan-tsai; sobriquet Ssu-po) was a native of Hua-t’ing in Kiangsu, who received his chin-shih civil service degree in 1588. He ultimately became President of the Board of Rites. Tung Ch’i-ch’ang excelled at calligraphy, particularly running and cursive scripts. In landscape painting he followed the school of Tung Yüan (d. 962) and Chü-jan (fl. ca. 960-980) while also selectively studying the styles of various Sung (960-1279) and Yüan (1279-1368) dynasty painters. Tung Ch’i-ch’ang promoted the theory of Northern and Southern Schools, considering the latter one as orthodox. He possessed a large art collection and was particularly skilled at connoisseurship. He is the author of several books, such as The Jung-t’ai Literary Collection, Hua-chih (Points on Painting), and Miscellaneous Notes from the Hua-ch’an Studio. Tung Ch’i-ch’ang had an extraordinary influence on the development of later painting theories and art. Depicted in this painting are multiple ridges of cloudy mountains with forests, hills, and other rugged terrain. The style of brushwork throughout the painting is dense, rich, and moist. Both the texture strokes for the mountains and clumps of leaves are energetic, elegant, and luxuriant. Although the title indicates the painting was done in imitation, the work reflects Tung Ch’i-ch’ang’s own style.