书体:

色彩:

设色

装裱形式:

轴

创作时间:

清世祖顺治五年（1648）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：张宏；题跋位置：本幅；款识：戊子（西元一六四八年）午月写。张宏。；书体：行书；全文： 印记：张宏、君度氏

主题:

主要主题：节令与二十四节气端午 ；次要主题：人物渔夫、船夫 ；次要主题：人物牧童 ；次要主题：树木杨柳 ；次要主题：走兽牛３头；次要主题：建筑店舖 ；次要主题：建筑房舍 ；次要主题：船龙舟３艘；次要主题：建筑桥 ；次要主题：建筑塔 ；次要主题：走兽马 ；次要主题：人物百姓 ；其他主题：山水  ；其他主题：船  

技法:

写意 人物衣纹描法(粗细线条) 人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2106 收藏着录： 故宫书画录（卷八），第四册，页88 收藏着录： 故宫书画图录，第九册，页3-4 内容简介（中文）： 张宏字君度，号鹤涧，江苏吴县人。生于万历八年（西元一五八０），逝世的时候已八十多岁。擅长山水、人物。笔意古拙，墨法湿润。 端午时节，龙船竞游，牧童也赶来观看热闹。这张画的主题是龙船，画中的牛属于点景，安排在左下方。简单句勒填墨而已。张宏画每多写生，这也是一幅当年的景色，看来颇为亲切动人。 内容简介（中文）： 张宏（西元一五九七年－？）字君度，号鹤间，吴郡（今江苏苏州）人。工山水，吴中学者尊崇之。笔意古拙，墨法湿润。人物亦所擅长，康熙七年（一六八八）年九十二，犹在人世。 本幅画端阳节龙舟竞渡。三艘龙船，往来于河上。河堤广场，地方主管官员，驾临观赏。民众亦于四方围观。画成于戊子（西元一六四八年），作者年五十二岁。张宏画风多取材于目见，此幅构景，宛如眼前所得，可谓为当时年节留下之影像。 内容简介（英文）： Chang Hung (style name Chün-tu, sobriquet Ho-chien) was a native of Wu, Kiangsu province. He was skilled in painting landscapes, and was highly respected by the literati there. Chang Hung’s brushwork was antique and unstudied, his use of ink rich and moist; he was also noted for his realistic portrayal of human figures. Chang was known to be still alive in 1688, when he was 92 years old. In this work, dragon-boat races honoring the Tuan-yang Festival are depicted. Three vessels speed in stiff competition on the river. On the wide embankment, the superintendent and officials honor the event with their presence, as they also observe and enjoy the proceedings, and crowds eagerly look on from all around. Chang Hung’s habit was often to select materials and seek inspiration from sights that he actually saw. This scene was portrayed as though it were taking place before his very eyes, and thus may be said to represent a slice of life from that era. It was completed in 1648 when the artist was 52 years of age. 内容简介（英文）： Chang Hung was skilled at both landscape and figure paintings. It is Tuan-wu Festival and the dragon boats are racing for first place. The herdboys have also come to watch the festivities. The dragon boats compose the main subject of this painting, and the oxen fulfill a supplementary role, arranged along the lower left part of the composition. They are sketched in simply outlines and touches of ink. Many of Chang Hung’s paintings are depictions of live objects and real scenes. This painting seems to show a genuine place and event in the particular year it was painted. For this reason, there is a sense of warm intimacy to it.