书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

明思宗崇祯三年（1630）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：张宏；题跋位置：本幅；款识：崇祯庚午（西元一六三０年）冬日。写于横塘精舍。吴门张宏。；书体：草书；全文： 印记：张宏、君度氏

主题:

主要主题：佛道人物罗汉（应真、尊者）应真主要主题：花草梅（白．红．蜡梅）白；其他主题：山水溪涧、湍泉湍泉；其他主题：器用服饰（对人）头箍，1个；其他主题：花草  

技法:

没骨 皴法 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页316 收藏着录： 故宫书画录（卷八），第四册，页88 收藏着录： 故宫书画图录，第八册，页381-382 内容简介（中文）： 张宏（西元一五七七－一六六八年后），江苏吴郡人。字君度，号鹤涧。工画山水，笔意古拙，墨法湿润，又善写意人物，天然入格。 此画作于明末崇祯三年（西元一六三０年），是一幅饶有天台禅意的罗汉画。已经悟道的罗汉，不住世弘法，却似享受生活中无常可变的情趣，与原始佛教罗汉清心离欲的面貌有所不同。这正是苏东坡所谓「山色岂非清净身，溪声便是广长舌」的禅喜写照；观（眼根）梅（色尘）可修「因缘观」，参透因缘假合的无常空境。 内容简介（英文）： Chang Hung (style name Chün-tu, sobriquet Ho-chien) was a native of Wu county, Kiangsu province. He was skilled in painting landscapes. His brushwork captured the feeling of ancient simplicity, and his ink was moist and rich. He also excelled in figure painting and created his own style. This painting, executed in 1630, depicts a lohan who seems fully aware of the teaching of the T’ien-t’ai sect in meditation. He has already attained enlightenment and no longer lives in the cycle of samsara, or endless reincarnations. He appears as though he enjoys the “impermanence of life” (anitya), and his expression is different from that of the earliest lohans who denied all desires and pleasures. This is a depiction of Su Tung-p’o’s statement: “Aren’t the mountain colors the clean and pure body of the Buddha, and the sound of streams the voice of his sermon?” Contemplating plum blossoms is a way of meditating upon the nidânas, the impermanence of things.