书体:
色彩:
浅设色装裱形式:
轴创作时间:
明穆宗隆庆四年(1570)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:张翀;题跋位置:本幅;款识:隆庆庚午(西元一五七0年)春日张翀写。;书体:行楷书;全文: 印记:张翀私印、南图主题:
主要主题:佛道人物神、仙采芝仙;次要主题:花草灵芝 ;其他主题:器用 扫帚技法:
写意 人物衣纹描法(粗细线条)参考资料:
收藏着录: 秘殿珠林续编(干清宫),页251 收藏着录: 故宫书画录(卷八),第四册,页88 收藏着录: 故宫书画图录,第九册,页177-178 参考书目: 1.王耀庭,〈明张翀画采芝仙〉,收入王耀庭、童文娥编,《长生的世界:道教绘画特展图录》(台北:国立故宫博物院,1996年初版),页75-76。 内容简介(中文): 张翀(西元十六至十七世纪),字子羽,号图南,江宁(今南京)人,一作江都(扬州)人。善画人物、仕女,山水亦佳,风格与浙派画家张路相近。 本幅写蓬头仙子侧身扶帚而立,腰系灵芝数本。举凡帚、芝、衣纹之笔墨敷彩,率皆畅快简洁,极富豪迈古雅之致,并与采芝仙傲岸不群的神色形成一绝妙配搭。 内容简介(英文): Some sources state that Chang Ch’ung was a native of Chiang-ning (modern Nanking), while others state that he was from Chiang-tu (modern Yangchow). His style name was Tzu-yü and his sobriquet was Nan-t’u. He specialized in paintings of figures, especially ladies, and his landscape paintings were also quite good. His works are stylistically similar to those of the Che Sschool painter Chang Lu. This painting depicts an immortal with wind-blown hair holding a broom. Ling-chih (spirit) fungi, associated with the idea of immortality, hang from his belt. The broom, fungi and clothing folds were all painted in lively, but simple, brushstrokes, achieving a sense of archaic grandeur. All of these characteristics are appropriate to the depiction of such a lofty immortal.