书体:
色彩:
设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
主题:
主要主题:树木松 主要主题:人物高士(士人、隐士)二人;次要主题:人物侍从(侍女、童仆)童仆三人;次要主题:花草灵芝 ;其他主题:器用枴杖 ;其他主题:器用扇羽扇;其他主题:器用文玩(琴棋书画)琴;其他主题:器用花器花瓶;其他主题:花草莲荷 ;其他主题:山水 ;其他主题:山水溪涧、湍泉 ;其他主题:山水江河、湖海 ;其他主题:树木 ;其他主题:花草技法:
工笔 写意 皴法 人物衣纹描法(匀称线条)参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2127 收藏着录: 故宫书画录(卷八),第四册,页90 收藏着录: 故宫书画图录,第九册,页317-318 内容简介(中文): 一高士站在松树下,另一人双手捧灵芝做承献之状。周围有三侍者,一人手捧花瓶,内插白荷,一人持杖,另一人站高士后面,手抱古琴。人物造型赋以变形之处理,线条曲直,刚劲有力,接近版画刀笔之趣。山水树干则用较疏放的线条,做为对比。树叶呈针形放射状及三角形,图案重复而平面化。变形的人物、古拙的树石画法,以及近似版画的线条,都源自陈洪绶画风的影响。 内容简介(英文): A scholar stands under an ancient pine tree, another man holds ling-chih fungus in both hands as if to offer it to the scholar. Three attendants surround them; one holds a vase containing white lotuses, one grips a cane, and the third stands behind the scholar holding a Chinese zither. The awkward forms of the human figures were rendered using alternately straight and crooked lines, the power of these brushstrokes resembles the incisive lines of a print. The landscape elements, such as the trees, were painted using somewhat softer lines in order to create contrast. The leaves were represented as needle-like forms radiating in arcs or as triangles. The repeating forms are schematized and the picture surface seems flattened. The awkward figures, the methods used to paint the ancient pine tree, and the fact that the brushstrokes closely resemble the lines found in prints are all stylistic elements derived form the works of Ch'en Hung-shou (1599-1652).