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本幅绢释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:王原祁;题跋位置:本幅;款识:山川焕采。(左方上署)。右春坊右中允臣王原祁恭画进。(右方下款)。;书体:楷书;全文: 印记:臣原祁主题:
主要主题:山水 ;次要主题:山水云 ;次要主题:树木松 ;其他主题:建筑台阁 ;其他主题:建筑亭 ;其他主题:建筑桥 ;其他主题:建筑房舍 ;其他主题:树木杨柳 ;其他主题:山水江河、湖海江河;其他主题:山水石磴、栈道石磴;其他主题:树木技法:
写意 皴法披麻皴苔点参考资料:
收藏着录: 石渠宝笈初编(养心殿),上册,页674 收藏着录: 故宫书画录(卷八),第四册,页96 收藏着录: 故宫书画图录,第十册,页371-372 内容简介(中文): 王原祁(西元一六四二─一七一五年),江苏太仓人。字茂京,号麓台,王时敏之孙。画由家学,远迈时伦,为清四大家之一。冈峦起伏,云岚绕山,分流曲涧,江村错落。本幅构景繁而不乱,布局细而不碎。章法精妙,虚实相发,层次分明,结构严谨。画山画树,状似草草,而笔墨精练,实从锤鍊中出也。 内容简介(英文): Wang Yűan-ch’i, a native of Kiangsu province, was the grandson of the famed painter Wang Shih-min. Following in the family style of painting, his achievement surpassed that of his contemporaries. He is one of the Four Great Masters of the Ch’ing.Depicted here are mountain peaks encircled with clouds and mist, a running stream, and scattered villages. The composition is complex yet organized and the details, likewise, are intricate yet ordered. The artist’s arrangement of the surface is exquisite in terms of the complementary forms and spaces. The layering of forms is clear and the structuring solid. Though mountains and trees appear casually rendered, the mature brushwork comes from Wang’s years of disciplined practice.