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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:戴天瑞;题跋位置:本幅;款识:臣戴天瑞指头恭画;书体:楷书;全文: 印记:臣戴天瑞、指头恭画主题:
主要主题:山水秋景 ;次要主题:建筑亭 ;其他主题:山水江河、湖海江河;其他主题:山水溪涧、湍泉湍泉;其他主题:山水瀑布 ;其他主题:树木 ;其他主题:树木枫树.槭树 ;其他主题:树木杨柳柳;其他主题:人物高士(士人、隐士)士人;其他主题:建筑房舍技法:
写意 指画 皴法 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录: 石渠宝笈初编(养心殿),上册,页676 收藏着录: 故宫书画录(卷八),第四册,页101 收藏着录: 故宫书画图录,第十一册,页143-144 内容简介(中文): 戴天瑞,江苏长洲人,字西塘,号贲园。生卒年不详,但以画幅上有康熙题诗与自署款,据此推测,圣祖时,戴氏已是内廷供奉画家。善画山水,兼工写意,水草鳞介,颇有神韵。 峰峦重叠,林木相错,山陬水湄,亭宇相望。全作以指代笔,树石皆用指甲指头沾墨和水,细钩重染,意韵醇厚,毫无一般指画之野气。 内容简介(英文): Tai T’ien-jui (style name His-t’ang; sobriquet P’en-yüan) was a native of Ch’ang-chou, Kiangsu. Even though his birth and death dates are unknown, it can be inferred from the inscribed poems of the K’ang-hsi emperor (r. 1662-1722) and his inscriptions on his paintings that he had already been appointed as a painter in the inner court at that time. He excelled at depicting landscapes and was also good at rendering water plants and fish with the “sketching from life” method. They all possess an abundance of spirit harmony. Depicted in this painting are repeated layers of peaks, scattered forests, mountain nooks, lake shores, and the pavilions looking out upon them. The entire painting was done using the finger instead of a brush. All the trees and rocks were rendered with the finger tip and fingernail dipped in ink and water to produce fine outlines with repeated layers of wash. They have an air of harmony and gentleness which is nothing like the amateurish quality of ordinary finger paintings.