书体:
色彩:
水墨装裱形式:
轴创作时间:
清仁宗嘉庆十三年(1748)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:华喦;题跋位置:本幅;款识:地上老人天上星。长头阔额苍龙形。髭须不落涂云母。牙齿长存喫茯苓。竹杖四稜春水碧。藤鞋一緉瓜皮青。三千甲子流弹指。游戏尘寰讬片翎。戊辰(西元一七四八年)夏六月。山人方寝杖息游。值友人持素纸一张。索写南极老人像。因为展笔。并题一律。新罗山人。;书体:行书;全文: 印记:鹤伍、华喦、秋岳、为长者寿、长啸、子孙保之、太素道人、醉经楼主题:
主要主题:佛道人物神、仙寿星;其他主题:器用 竹杖技法:
白描 写意 人物衣纹描法(粗细线条)参考资料:
收藏着录: 秘殿珠林三编(干清宫),页78 收藏着录: 故宫书画录(卷八),第四册,页101 收藏着录: 故宫书画图录,第十一册,页149-150 参考书目: 刘芳如;〈华喦寿星图〉,《华喦写生册》(台北:国立故宫博物院,2012年七月初版),页100-101。 内容简介(中文): 华嵒(西元一六八二-一七五六年),福建上杭人。字秋岳,号新罗山人。初寓杭州,后客维扬鬻画。人物、山水、花鸟、草虫无一不精。虽与八怪同时,然笔墨却了无霸悍气习,在扬州画家中独树一格。本幅纯以墨笔绘南极老人。论者尝谓,华嵒画人物脱胎自马和之的「兰叶描」,若以「画寿星」来相印证,人物衣袖在干渴中犹屡现顿挫,与马氏存世作品互异,故知华嵒于习古之外,亦有所创新。 内容简介(英文): Hua Yen, a native of Fukien, early lived in Hangchow, but later moved to Yangchow and sold paintings for a living. He excelled at painting figures, landscapes, birds-and-flowers, and grass-and-insects. Although contemporary with the Eight Eccentrics of Yangchow, he was able to strike out on his own and establish a unique style. In this work, Hua has depicted the God of Longevity in monochrome ink. Critics often said that Hua’s figure painting derived from the orchid-leaf brushwork of Ma Ho-chih. This work, however, shows that Hua’s style differs from Ma’s extant works in the dry brushwork and pauses to the strokes in the drapery. Thus, besides studying the old masters, Hua Yen also sought innovation.