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轴创作时间:
清圣祖康熙九年(1670)文字类型:
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本幅绢释文:
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作者印记:江上女子题跋资料:
题跋类别:题跋;作者:吴鳞;题跋位置:本幅;款识:康熙庚戌(西元一六七○年)仲春中澣。钱唐佛弟子吴鳞。;书体:行楷书;全文:康熙庚戌(西元一六七○年)仲春中澣。钱唐佛弟子吴鳞。虔请江阴女子周禧绘写阿罗汉十尊。今装潢喜舍万明寺常住永远供养。祈保子嗣繁衍。诸事吉祥如意者。印记:吴鳞、石泓主题:
主要主题:佛道人物罗汉(应真、尊者)罗汉1人;次要主题:佛道人物僧(和尚、尼姑)和尚;次要主题:佛道人物佛道侍者 ;其他主题:树木 ;其他主题:花草 草;其他主题:器用技法:
工笔 写意 皴法 人物衣纹描法(匀称线条)参考资料:
收藏着录: 秘殿珠林续编(干清宫),页320 收藏着录: 故宫书画录(卷八),第四册,页101 收藏着录: 故宫书画图录,第十一册,页171-172 内容简介(中文): 周禧,活动于康熙年间(西元十七世纪),江苏江阴人。本名周淑禧,自号江上女史。与其姊同工花鸟,兼写佛像,年八十馀犹点染不倦。 清初康熙九年(西元一六七0年),浙江钱唐地区的居士吴麟,请江阴女子周禧画了阿罗汉十尊,施给万明寺供养,「祈保子嗣繁衍,诸事吉祥如意」。本幅即为其中之一,画罗汉林中坐禅观心,如入忘我之境。林树虬盘节屈之姿,罗汉与清信士坐跪之态,颇具奇古清趣。树环如龛,布局自成一格,敷色亦虽豔而脱俗。 内容简介(英文): Chou Hsi (or Chou Shu-hsi) was a native of Chiang-yin, Kiangsu province. Her sobriquet was Chiang-shang nü-shih. She and her elder sister were skilled in painting birds and flowers as well as Buddhist images. She still continued painting even in her eighties. In 1670, Wu Lin, a scholar from the Hangchou area in Chekiang province commissioned Chou Hsi to paint a cycle of ten lohans as an offering to the Wan-ming monastery to accompany the prayer, “I pray that my sons and descendants may proliferate and that everything will be auspicious and wishes fulfilled.” In the center of the composition amidst the trees sits a Buddhist lohan in meditation as though he has completely forgotten his “self.” The trees are entangled with twisted knots. The attitudes of the seated lohan and kneeling lay devotee seem archaic and strange. The trees surround them, as though forming a niche for an idol. The composition is unified, and the colors are beautiful but not at all vulgar.