书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：作者款识；作者：邹一桂；题跋位置：本幅；款识：臣邹一桂恭画；书体：楷书；全文： 印记：臣邹一桂印、笔端造化

主题:

主要主题：花草菊 ；次要主题：山水奇石 ；其他主题：花草  

技法:

工笔 没骨 双钩 皴法 苔点 

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第三册，页1204 收藏着录： 故宫书画录（卷八），第四册，页103 收藏着录： 故宫书画图录，第十一册，页279-280 参考书目： 1.〈清　邹一桂　画菊〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页46。 内容简介（中文）： 邹一桂（1686-1772），江苏无锡人。官至礼部侍郎，善工笔花卉，着有《小山画谱》。此图描绘秋景，各种品种菊花倚石丛生，采工笔重彩，绘法精确工整，傅色浓豔，具有华贵巧丽的风韵。先以双钩填彩法画花，然后以没骨法画叶片，并以白粉染花瓣。叶片平排较平板无趣，画法工式化。野菊花心以藤黄等色点染，颇具立体感。菊花不畏寒霜，秋冬季节傲霜怒放，深受古代文人喜爱。乾隆二十一年（1756），邹氏曾奉敕画洋菊三十六种，并辑成《洋菊谱》。(20110102) 内容简介（中文）： 邹一桂（西元一六八六－一七七二年），江苏无锡人。字原褒，又号让卿，晚号二知老人。雍正丁未传胪，官至礼部侍郎，加尚书衔。工花卉，分枝布叶，条畅自如，设色明净，清古冶艳，恽南田后仅见也。着有〔小山画谱〕享年七十七。 各种菊花倚石丛生，用笔工整，傅色秾艳。清内府所存邹画，皆应制之作，执规循矩，不敢逾于方圆之外。 内容简介（英文）： Tsou I-kuei was a native of Wu-hsi, Kiangsu. His style name was Yüan-pao; his sobriquets were Hsiao-shan, Jang-ching and Erh-chih lao-jen. Tsou I-kuei was a government official, at on time serving as President of the Board of Rites. He excelled at flower painting, in which he arranged flowers, twigs, leaves and branches in artful and yet natural compositions. He often used bright and clear colors. His flower paintings charm viewers with their exquisite beauty--a quality not been seen since Yün Shou-p’ing (1633-1690). He was also the author of a manual on painting, done at the age of 76. This painting depicts chrysanthemums blooming in a variety of colors alongside a faceted rock. The artist’s use of brush is fine and precise; his application of color is heavy but strikingly beautiful. All of the paintings done by Tsou I-kuei for the Ch’ing emperors were painted strictly in accordance with conventional rules and followed orthodox styles of painting. 内容简介（英文）： Zou Yigui, a native of Wuxi in Jiangsu, went by the style name Yuanbao and the sobriquets Xiaoshan and Rangqing as well as the late sobriquet Erzhi laoren. Serving up to the post of Vice Minister of Rites, he excelled at painting flowers in fine lines and authored Painting Catalogue of Xiaoshan.This painting depicts an autumn scene of various chrysanthemums and an ornamental rock. Done in fine lines with strong colors, the painting method is neat and accurate, the colors rich and beautiful, thereby giving the work a luxurious and opulent grace. The blossoms were first outlined and then filled with colors, the “boneless” technique of washes used to paint the leaves and then washes of white applied for the petals. The leaves, however, are not arranged very lively, and the method is somewhat flat. The centers of the wild chrysanthemums are touched with gamboges yellow and other colors to give them a volumetric effect. Chrysanthemum blossoms can endure frost, so they stand out in the cold of late autumn and early winter with proud colors, much to the appreciation of literati in the old days. In 1756 Zou Yigui received imperial orders to paint 36 types of chrysanthemums, which he compiled in Catalogue of Chrysanthemums.(20110102)