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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:张若霭;题跋位置:本幅;款识:银海光中湧翠涛。一龛青髻两垂髦。玉龙昨夜来听法。不遣纤尘点白豪。籋云天骥踏凌兢。指点香台近可登。惊起禅枝双怖鸽。刷残琼屑落寒棱。千巖飞雪洒行厨。人与霜松一样臞。幸覩拈花参妙谛。好从薝卜写新图。臣张若霭敬和并绘。;书体:行书;全文: 印记:臣霭、师古之人主题:
主要主题:山水冬景(雪景) 主要主题:建筑寺庙 ;次要主题:树木松 ;其他主题:山水山径 ;其他主题:山水溪涧、湍泉 ;其他主题:树木寒林.枯树枯树;其他主题:建筑桥 ;其他主题:建筑亭 ;其他主题:树木技法:
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收藏着录: 石渠宝笈续编(重华宫),第四册,页1821 收藏着录: 故宫书画录(卷八),第四册,页106 收藏着录: 故宫书画图录,第十一册,页377-378 内容简介(中文): 张若霭(一七一三-一七四六)清安徽桐城人。字晴岚,雍正癸丑(一七三三)传胪,袭伯爵,諡文僖。善书,工画花竹、禽虫,深得王谷祥、周之冕遗意。 乾隆丙寅(一七四六)初冬幸五台山,途中遇雪,命若霭绘图,并自题曰:「台麓廻銮经镇海寺,积雪在林,凹峰露宇,天然画意,因命传臣写之。」本幅刻意描写雪、松、楼宇,雪留白,松用翠,楼宇用朱,设色明艳而刻饰。 内容简介(英文): Snow at the Ch’eng-hai TempleChang Jo-ai (1713-1746 A.D.)Ch’ing dynasty A native of T’ung-ch’eng, Anhui, Chang Jo-ai (tzu Ch’ing-luan) was given the title of court and the name Wen-hsi in 1733. A skilled calligrapher and painter, he was noted particularly for his flowers, bamboo, animals and insects. Chang formed his painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568 A.D.) and Chou Chih-mien (ca. 1580-1610 A.D.). In early winter 1646, an imperial entourage travelled to Wu-t’ai-shan. They encountered snow along the road and the Ch’ien-lung Emperor requested Chang Jo-ai to paint. According to the Emperor’s inscription: “At the foot of T’ai-shan we turned back toward the Ch’eng-hua temple. Snow covered the trees while crevices in the peaks remained bare; the naturalness of the scene required a painting, so I ordered one of my ministers to paint this.” Here Chang has paid particular attention to areas in which snow has accumulated; the pines are green and the roofs of buildings red, but snowy areas have been left unpainted. The coloration is extremely clear and definite and thus somewhat unnatural in appearance.