书体:
色彩:
浅设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:永瑢;题跋位置:本幅;款识:子臣永瑢恭画;书体:楷书;全文: 印记:子臣永瑢、敬画主题:
主要主题:山水 ;其他主题:树木杨柳 ;其他主题:建筑水榭 ;其他主题:花草梅(白.红.蜡梅)红梅;其他主题:器用文玩(琴棋书画)书;其他主题:器用家俱(屏风)桌;其他主题:建筑亭 ;其他主题:树木竹 ;其他主题:山水瀑布 ;其他主题:树木松 ;其他主题:树木技法:
写意 皴法披麻皴皴法折带皴人物衣纹描法(匀称线条)参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2136 收藏着录: 故宫书画录(卷八),第四册,页114 收藏着录: 故宫书画图录,第十二册,页267-268 内容简介(中文): 永瑢(西元一七四三─一七九0年),高宗第六子。封质庄亲王,自号九思主人。工诗文,能书画,山水师近人黄坚,而能自闢一途。一壑两岸,山岗对峙,院中老梅吐艳,为冬天点景。山石用侧笔折带皴,表现层石积叠之状。复用干笔横卧点苔,显现出苍茫的气氛。枯木疏林,平坡亭子,皆受倪瓒画风影响。 内容简介(英文): Yung Jung(1743-1790)(tzu Chiu-ssu chü-jen)was the sixth son of the Ch’ien-lung emperor and was conferred the title of prince. He was a skilled poet, calligraphy and painter. Having taken the contemporary artist Huang Chien as a model for landscape painting, he developed an individual style.A river valley separates two hills which face each other. Inside the courtyard an ancient plum puts forth its first blossoms. In the mountains and rocks Yung first used a slanted brush to add che-tai ts’un(several-belt texture strokes)which give the appearance of the layer upon layer of thinly faceted rock. Later he employed a horizontal brush to add dry moss dots. The compositional elements-dry wood and withered trees, flat banks and a pavilion-where obviously derived from the paintings of the Yüan master Ni Tsan.