书体:

色彩:

设色,描金

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：珠林三编
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：秘殿珠林
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：姚文瀚；题跋位置：本幅；款识：臣姚文瀚奉敕恭临宋人笔意；书体：楷书；全文：臣姚文瀚奉敕恭临宋人笔意。印记：臣姚文瀚、敬慎

主题:

其他主题：器用宗教器用拂尘；其他主题：器用服饰（对人）靴一双；其他主题：器用花器花盘；次要主题：器用家俱（屏风）家俱（榻）主要主题：佛道人物居士维摩诘；其他主题：花草 盆中花

技法:

工笔 人物衣纹描法(匀称线条) 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 秘殿珠林三编（延春阁），页126 收藏着录： 故宫书画录（卷八），第四册，页126 收藏着录： 故宫书画图录，第十三册，页375-376 内容简介（中文）： 姚文瀚（约活动于西元一七三六－一七九五年），北平人。号濯亭，乾隆时供奉内廷，工佛道人物，《秘殿珠林》评其道释画，可与严宏滋、丁观鹏比美。 此画临仿「宋人维摩像」，画维摩诘坐于插屏式罗汉床，右手执麈尾，斜靠于狮形凭几上，其后有天女执花盆。人物设色开面，隐约间似受同时人丁观鹏之影响，然笔墨精湛，别具典雅之致。 内容简介（英文）： After a sung Painting of VimalakìrtiYao Wen-han (fl. 1736-1795)Ch’ing Dynasty Yao Wen-han, a native of Peking, served under the Ch’ien-lung Emperor and specialized in painting Buddhist and Taoist figures, which along with those of Ting Kuan-p’eng were much admired at court. This work is a copy after Vimalakìrti by a Sung Painter. Vimalakìrti was an Indian said to have been a contemporary of the Buddha. He preached the Way while ill in bed and was thus visited by a bodhisattva. He is seen here on a platform with a low screen. He holds in his right and a fly whisk and leans on an armrest. Behind is a lady attendant with a plate of flowers. The delicate coloring of the faces suggests the influence of a contemporary, Ting Kuan-p’eng. Nontheless, the fine technique has the gentle, elegant quality of Yao’s own style.