书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：宜子孙
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宝笈三编

题跋资料:

题跋类别：作者款识；作者：王渊；题跋位置：本幅；款识：若水王渊；书体：篆书；全文： 印记：（一印漫涣不可辨）

主题:

主要主题：翎毛鹭鸶三只；次要主题：树木竹 ；次要主题：树木杨柳 ；次要主题：花草红蓼 ；其他主题：山水冬景（雪景）雪景；其他主题：山水江河、湖海 ；其他主题：翎毛翠鸟 

技法:

工笔 写意 皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1604 收藏着录： 故宫书画录（卷八），第四册，页65 收藏着录： 故宫书画图录，第四册，页245-246 内容简介（中文）： 王渊（约西元一二八0—一三四九年以后），浙江钱塘（今杭州）人，字若水，号澹轩。他的生平不详，据元末时期的记载，他早年学画时，曾受到赵孟頫的教导，学得许多古人的画法。他擅长山水和花鸟，尤其精于工笔花鸟画，高超的描绘技巧可以媲美宋人。坡岸一角，以枯柳、翠竹、丹叶为伴，三只雪白的鹭鸶，或翘首，或远眺，或俯视，各逞其优雅的姿态。用笔工细，设色秾丽，但构景单纯，留出大片空白，具有一种清新高雅的气韵。 内容简介（英文）： Wang Yüan, style name Jo-shui, sobriquet T'an-hsüan, was a native of Hangchow, Chekiang province. Although biographical information is scant, according to late Yüan sources, when Wang Yüan studied painting early in his life, he received guidance from Chao Meng-fu and learned the styles of many ancient masters. He excelled in landscape and bird-and-flower painting, and he was particularly skilled in using meticulous brushwork while painting birds and flowers. His outstanding painterly techniques can measure up to those of the most skilled Sung dynasty masters.A willow with withered leaves, green bamboo, and a tree with red leaves are situated on a sloped bank in one corner of the painting. Three snow-white egrets-one raising its head, one looking down, and one looking off into the distance-are depicted in this scene. The artist has captured their elegant poses. The brushwork is fine, and the coloring is exquisite. The rather simple composition, with a large area left unpainted, creates a pure and fresh atmosphere.