书体:

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢前副叶纸后副叶纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：东海张氏鉴藏（重一）
收传印记：上沙涧上人家（重一）
收传印记：商丘宋氏收藏图书（重一）
收传印记：木天清祕（重七）
收传印记：荷天厚宠（重九）

题跋资料:

题跋类别：题跋；作者： 前副叶一、二、三、四 ；书体：篆书；全文：花鸟知音。

题跋类别：题跋；作者：张世通后副叶时正德三年春二月。张世通敬书。；书体：行楷书；全文：国初边景昭有八节长春之景。当时御笔亦多彷其意。于令节赐大臣。间有标题署款者。此系永嘉所藏。于馀为宗家。故得知其概。偶于西湖僧寺获之。真张氏灵芝还与张之意。谨识此以属子孙世守云。时正德三年春二月。张世通敬书。印记：张世通氏、寄情

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页139 收藏着录： 故宫书画图录，第二十二册，页162-165 内容简介（中文）： 本册画设色花鸟，后副叶有明武宗正德三年（西元一五０九年）张世通跋文，指出：「国初边景昭有八节长春之景，当时御笔亦多仿其意，于令节赐大臣。」以宣宗画花鸟多仿供事内殿的福建籍花鸟名家边文进笔意，边文进的花鸟画曾被誉为「禁中三绝」之一，虽然本册花鸟显得较为僵直板滞，不如宣宗真迹的鲜活灵动，但将宣宗画作与花鸟名家相提并论，可见当时对宣宗画艺的推崇。(20120407) 内容简介（英文）： This album of bird-and-flower subjects in color also features a colophon by Zhang Shitong on the endleaf dated to 1509. It states, “Early in the dynasty, Bian Jingzhao (Wenjin) painted scenery on the Eight Periods of Everlasting Spring. Then the emperor did many imitations and presented them to high officials at festivals.” Most bird-and-flower paintings by Xuanzong were in the style of the famous Fujian court artist Bian Wenjin, whose bird-and-flower subjects were praised as the “Three Perfections of the Inner Court.” Although the motifs here appear relatively stiff compared to the brisk, animated manner of Xuanzong’s authentic examples, comparison with bird-and-flower works of masters reveals praise at the time for Xuanzong’s painting.(20120407)