书体:

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：桐城张氏珍藏

题跋资料:

题跋类别：作者款识；作者：仇英末幅实父仇英；书体：楷书；全文： 印记：十洲

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页139 收藏着录： 故宫书画图录，第二十二册，页258-263 内容简介（中文）： 仇英（约西元一四九四－一五五二年），江苏太仓人，字实父，号十洲。原是漆工，后跟随周臣学画，画风精细而雅致。 这套册页以每开为一单元的方式，画出二十四孝的故事。各开中右图左文，图选择以故事中的一段主要情节为主题，虽都画得相当精细，且有名款显示为仇英所画，但却缺少了他的作品中所应有的生动感觉。而文的部分用诗句来表达故事的内容，是颇为别致的安排。 内容简介（英文）： The 24 Paragons of Filial Piety Attributed to Ch’iu Ying (ca. 1494-1552) Ming Dynasty Ch’iu Ying, a native of T’ai-ch’ang in Kiangsu province, was originally a lacquer craftsman. He later studied painting under Chou Ch’en and developed a refined and elegant style. This set of album leaves uses the method of one scene per leaf to illustrate the stories of the 24 paragons of filial piety. Each leaf involves one side with the text and the other side with the illustration. The method of illustration takes the main event of that story as the subject of the painting. Though they are all painted with refinement and there is a Ch’iu Ying signature, these album leaves lack the sense of liveliness associated with his style. Furthermore, the text uses verse to express the contents of the stories for a refreshing change.