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册(折装)

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本幅绢前副叶绢

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印记资料:

鑑藏宝玺：乾隆御览之宝

题跋资料:

题跋类别：作者款识；作者：仇英末幅仇英；书体：楷书；全文： 印记：仇英之印

题跋类别：题跋；作者：　前副叶 ；书体：篆书；全文：帝王道统万年之图。

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收藏着录： 故宫书画录（卷八），第四册，页140 收藏着录： 故宫书画图录，第二十二册，页264-271 参考书目： 1.刘芳如，〈明仇英画帝王道统万年图〉，收入国立故宫博物院编辑委员会编，《明中叶人物画四家特展－杜菫、周臣、唐寅、仇英》（台北：国立故宫博物院，2000年初版），页164-165。2.刘芳如，〈仇英笔下的华丽一族 — 〈帝王道统万年图册〉鉴读〉，《故宫文物月刊》，第316期（2009年7月），页96-111。 内容简介（中文）： 仇英（约一四九四－一五五二年），字实父，号十洲，太仓人（今江苏苏州）。初为漆工，长于彩绘栋宇，后来改事画艺。被誉为明代四大家之一。本册共二十幅，分别描绘伏羲至宋仁宗等名贤、帝王的事蹟，对幅并有顾可学（？－一五六○）题记。应是仇英应顾氏请讬而绘，用以进献朝廷，求得仕进。全册均落笔纯熟、流利，色调以青绿重彩为主，间或掺用泥金钩边，画面洋溢着鲜豔而华丽的雰围。(20100101) 内容简介（中文）： 本册共二十幅，均工笔设色画历代帝王事蹟。末幅有「仇英」款及钤印一方。每开之对幅，并有顾可学（？—一五六○）题记。倘与仇英「汉宫春晓」卷相比，本册在精丽方面，略嫌不足，且画中有多处细节、设色未尽完整，推测是买家（可能即为顾可学）需求甚急，仓促间不及收拾所致。此次选展，为第三及第七幅，分绘黄帝像与大禹治水图。 内容简介（中文）： 本册共二十幅，均工笔设色画历代帝王事蹟。每开对幅有嘉靖时官至礼部尚书的大臣顾可学（？－一五六０）的题赞，并援引古代经籍与史书的记载。全册以工笔设色法，描绘人物、建筑物及背景，线条及设色都很细致，构图简洁，，清楚的交待故事的内容。仇英（约西元一四九四－一五五二年），江苏太仓人。本为漆工，后从周臣学画，擅长人物、山水及故事画。 内容简介（英文）： This album of 20 leaves, all done in fine lines and color, depicts stories of rulers in China through the ages. Opposite each leaf is a eulogy by the high official Ku K’o-hsüeh (?-1560), who served as Minister of Rites in the Chia-ching era. Ku also quoted from histories and ancient texts in his inscriptions. The strokes and colors as well as the lines and coloring of the figures, buildings, and background in these leaves are quite fine. The compositions are simple and clearly convey the contents of the stories. Ch’iu Ying, a native of T’ai-ch’ang in Kiangsu, originally was a lacquer craftsman who later studied painting from Chou Ch’en. He excelled in painting figural, landscape, and narrative themes. 内容简介（英文）： Qiu Ying (style name Shifu, sobriquet Shizhou) was a native of Taicang (modern Suzhou, Jiangsu). A lacquer craftsman early in his career, he also specialized in architectural decoration. Later he turned to painting, becoming venerated as one of the Four Ming Masters. This album of twenty leaves depicts the events of famous rulers and sages from the legendary Fuxi (mid-2800s BCE?) to Emperor Renzong of the Song (1010-1063), and opposing leaves include inscriptions by Gu Kexue (?-1560). Qiu Ying was probably asked by Gu to illustrate his texts, and the work was then probably submitted to the court in Gu’s quest for promotion. The brushwork is mature and swift, with hues mostly bright blue and green to which gold outlining was added. The fresh and vibrant surfaces create for a sumptuous atmosphere.(20100101)