书体:

色彩:

装裱形式:

册(折装)

创作时间:

明熹宗天启二年（1622）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御赏之宝（重十一）

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页141 收藏着录： 故宫书画图录，第二十三册，页160-163 参考书目： 1.吴诵芬，〈岁在丑年看画牛〉，《故宫文物月刊》，第310期（2009年1月），页30-43。 内容简介（中文）： 李麟（西元一五八八－？年），浙江宁波人，字次公。善白描，作佛像下笔如莼菜条，用焦墨而不觉其枯，眉目粗而不觉其重。尤长写貌，亦以焦墨粗勾为之，师丁云鹏而有出蓝之誉，自署龙眠后身。 本册，画牛与牧童的各种情态，看来似属游戏之作。画上题辞颇道出牛之性情与人的心态。 内容简介（英文）： Li Lin (1588-?)Ming Dynasty. Li Lin (style name Tz’u-kung) was a native of Ning-po in Chekiang. He excelled at the ink-outline style and painting Buddhist figures with flowing “water-plant” brush strokes. He often used dry “scorched” ink and was adept at painting his figures with large, heavy eyebrows. Li was known as a follower of Ting Yun-p’eng, though said by some to have surpassed his teacher. In fact, he fancied himself a reincarnation of the great Sung figure painter Li Kung-lin. These album leaves represent the various forms and attitudes of oxen and herdboys. Their manners are playful and seem to have been casually rendered. The poems above the paintings discuss the character and feelings of the subjects.