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鑑藏宝玺:宣统御览之宝题跋资料:
题跋类别:作者款识;作者:恽寿平;题跋位置:本幅;款识:戏用巨然墨叶法作青芥图。深于山水者。能通写生之意。斯言信夫。南田。;书体:行书;全文: 印记:恽正叔、寿平、寄岳云、南田小隐主题:
主要主题:果蔬蔬菜芥菜;次要主题:果蔬萝卜技法:
写意 没骨参考资料:
收藏着录: 石渠宝笈初编(重华宫),下册,页741 收藏着录: 故宫书画录(卷八),第四册,页142 收藏着录: 故宫书画图录,第二十四册,页70-73 参考书目: 1.马子晋,〈青芥图 — 恽寿平写生册之三〉,《故宫文物月刊》,第7期(1983年10月),页130-131 。 内容简介(中文): 恽寿平(西元一六三三-一六九○年),江苏武进人。初名格,字寿平,后以字行。诗文为毘陵六逸之首,画与清初四王、吴历相埒,合称四王吴恽。擅画山水,后自觉无力与王翬争胜,而专攻花卉,以徐崇嗣没骨法参以己意,独创风格,为清代花卉画宗师。本幅为「写生册」之第三幅,画芥菜一棵,以青绿参差碎点作叶,浓淡相呼应,翠光掩映。红莱菔两个,通体圆净,红脂凝艳,一片生机跃然纸上。 内容简介(英文): Mustard PlantYün Shou-p’ing (1633-1690)Ch’ing Dynasty A native of Kiangsu, Yün Shou-p’ing was a leading essayist and poet. Considered one of the Six Masters of Early Ch’ing, he is also ranked as a leading painter. Originally specializing in landscapes, he felt unable to equal Wang Hui and consequently focused on flowers and plants. Incorporating the “boneless” wash method in his repertoire and creating a new style, he became a leader in the genre. This is the third leaf from Album of Sketches, in which is painted a mustard plant. Mottled washes of green depict the leaves. Contrast between light and dark suggest lushness and depth. Two round, red and white turnips appear behind the mustard plant in this lifelike rendering.