书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

作者印记：臣元斗
作者印记：南薰染翰

题跋资料:

主题:

主要主题：花草梅（白．红．蜡梅）白梅；次要主题：翎毛麻雀 

技法:

工笔 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页143 收藏着录： 故宫书画图录，第二十四册，页208-211 内容简介（中文）： 邹元斗，生死年都不详，康熙年间，娄县（今江苏松江）人，后入赘周家，乃迁居常熟。字少微，别号春谷，又号林屋山人。因擅长绘画，被征入当时画院当供奉，得拜画院花鸟画名家蒋廷锡为师，学习绘画外，又能做诗与书法。 他的画也是以花鸟为特长，他的花鸟虽然学自蒋廷锡，但是能摒弃蒋廷锡秾艳的外衣，同时又注重用笔，线条劲活有力，题材多从实物写生，兼得天趣与物趣，所以，画面较乃师更为有生气，图中景物有脱纸而出之感。 内容简介（英文）： Tsou Yüan-tou (tzu Shao-wei, hao Ch’un-ku and Lin-wu shan-jen) was active during the K’ang-hsi period (1662-1722). He was a native of Sung-chiang in Kiangsu but after marriage lived with his wife’s family in Ch’ang-shu. Because of his talent for painting he was summoned to enter the imperial painting academy, where the famous painter Chiang T’ing-hsi taught him the academy style of bird and flower painting. He also practiced calligraphy and poetry. Tsou Yüan-tou made bird and flower painting his speciality, and although he began to paint as a student of Chiang T’ing-hsi, he was able to cast off the sensual use of color of the latter and concentrate on brush technique, so that there is strength in the delicacy of his paintings. He also observed objects in nature and sketched them from life, so that his paintings capture both the spiritual and mortal aspects of his subjects. Thus his paintings are more lifelike than those of his teacher, and the subjects seem ready to leave the paper and come to life.