书体:

色彩:

设色,描金

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝

题跋资料:

主题:

主要主题：人物仕女 ；次要主题：人物侍从（侍女、童仆）侍女；次要主题：建筑水榭 ；次要主题：建筑栏杆 ；次要主题：器用家俱（屏风）桌、椅；其他主题：树木竹 ；其他主题：花草桂花 ；其他主题：建筑篱笆、围墙花架；其他主题：山水奇石 ；其他主题：器用文房用具 ；其他主题：器用文玩（琴棋书画）画；其他主题：器用服饰（对人）发簪；其他主题：器用伞 

技法:

工笔 界画 人物衣纹描法(匀称线条) 皴法折带皴

参考资料:

收藏着录： 石渠宝笈三编（干清宫），第二册，页588 收藏着录： 故宫书画录（卷八），第四册，页144 收藏着录： 故宫书画图录，第二十五册，页46-47 内容简介（中文）： 焦秉贞生曾为康熙时的钦天监，作品以康熙三十五年（1696）的〈耕织图〉最着，其画作受到康熙帝的讚赏。此画册共有八开，皆画楼阁亭台间的仕女活动。特别在建筑物的表现上运用西洋透视法则，营造仕女穿绕在庭园建筑之间的场面。焦秉贞的仕女具独特风格，皆是头额略宽，下巴收尖的开脸造型，身体显得轻薄、扁平，这类仕女画法为冷枚、陈枚等清宫画家沿用，蔚成清宫仕女画特征。 内容简介（英文）： Chiao Ping-chen was active in the Directorate of Astronomy during K’ang-hsi reign (1662-1722). As a painter, he is best known for his “Illustrations of Agriculture and Sericulture,” his style much appreciated by the K’ang-hsi Emperor. This album composed of eight leaves depicts activities of ladies among buildings. Of particular note is the use of Western perspective in rendering the architecture, presenting scenes of ladies realistically making their way among the gardens and buildings. Chiao Ping-chen’s style of painting ladies was unique, representing figures with foreheads slightly wider and a narrow chin. Their bodies are also often depicted as wispy and thin, serving as a model for the painting of ladies adopted by such other court painters as Leng Mei (fl. ca. 1677-1742) and Ch’en Mei (ca. 1694-1745). These became the distinctive features of lady paintings at the Ch’ing court.