书体:

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺:乾隆御览之宝
鑑藏宝玺:石渠宝笈
鑑藏宝玺:宝笈三编
鑑藏宝玺:嘉庆御览之宝
鑑藏宝玺:宣统御览之宝
鑑藏宝玺:宣统鑑赏
鑑藏宝玺:无逸斋精鑑玺

题跋资料:

主题:

技法:

参考资料:

收藏着录: 石渠宝笈三编(延春阁),第五册,页2137 收藏着录: 故宫书画录(卷八),第四册,页145 收藏着录: 故宫书画图录,第二十七册,页252-255 内容简介(中文): 东岳泰山为五岳之首,别名「岱宗」,位于山东省泰安县北,自古为皇帝巡行、封禅常到之地。《诗经》有云:「泰山巖巖,鲁邦所詹」,因此或者称泰山为「岱巖」。这组册页画泰山胜景,作者弘旿(卒于西元一八一一年)为满清宗室,父亲允秘为康熙皇帝之子。弘旿有才艺,诗、书、画、印皆所擅长,画风受当时仿古潮流的影响,追随王原祁之后,重视笔墨的意境。 内容简介(英文): The Eastern Peak, Mount T’ai, is known as the “head” (tsung) of the Five Sacred Peaks, hence the name “Tai-tsung(Head Above)”. In northern T’ai-an County, Shantung, it was in antiquity the site of imperial visits for sacrificing to the heavens and earth. The Book of Poetry mentions that “Mount T’ai is craggy (yen), looked up to by Lu,” which is perhaps why it is also known as “Tai-yen”. This album is of scenic sites at Mount T’ai. The Manchu Hung-wu belonged to the imperial Ch’ing clan. His father Yün-pi was the son of the K’ang-hsi Emperor. Hung-wu specialized in poetry, calligraphy, seal carving, and painting. The latter was influenced by the trend of imitating the past. After following Wang Yüan-ch’i, he focused on his own style.
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