书体:

色彩:

设色

装裱形式:

册(蝴蝶装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：花草梅（白．红．蜡梅）白梅；次要主题：器用花器花盆；其他主题：山水奇石 

技法:

工笔 皴法 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页841 收藏着录： 故宫书画录（卷八），第四册，页145 收藏着录： 故宫书画图录，第二十五册，页70-73 参考书目： 1.刘芳如，〈清王图炳梅花盆景〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页99-100。 内容简介（中文）： 王图炳，华亭（今上海松江）人。字麟照，顼龄子，康熙五十一年（西元一七一二年）进士，官至礼部侍郎，降官侍读，加詹事衔。书得董其昌笔意，着有天香书屋诗。 青色菱花盆上，拳石在旁，梅干曲绕，结体颇为古雅，朵朵白梅绽放。画用勾勒设色。盆栽之美，令人以小见大，此画造形，应是花前写生，恰如园中一盆，移来画中。 本幅为「冬景花卉诗意册」第六开。 内容简介（英文）： Wang T’u-pin (style name Lin-chao) was a native of Hua-t’ing and the son of Wang Hsű-ling. He received his chih-shih civil service degree in 1712 and was appointed to the Ministry of Rites in the Board of State Affairs and then as Reader-in-waiting and concurrent Supervisor of the Heir Apparent. In calligraphy, he achieved the style of Tung Ch’i-ch’ang (1555-1636). Wang T’u-pin is also the author of Collected Poems of the Studio of Heavenly Fragrance. In a green pot with water caltrop designs and next to a first-shaped rock is a twisted miniature (bonsai) plum tree, its convoluted trunk appearing quite archaic and elegant with its white plum blossom buds. The painting was done using outlines and colors. The beauty of bonsai trees is that they are miniature versions of large ones. The design of this painting corresponds to a “sketched life ” (still life) painting, just as if a pot in a garden had been transported into the painting.