书体:

色彩:

装裱形式:

册(折装)

创作时间:

文字类型:

质地:

本幅绢本幅上方纸前副叶纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：题跋；作者：清高宗前副叶 ；书体：行书；全文：（乾隆四年1739御题。文不录。）印记：乾隆宸翰、豳风无逸念民依、天地一家春

主题:

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参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页751-755 收藏着录： 故宫书画录（卷八），第四册，页154 收藏着录： 故宫书画图录，第二十五册，页174-181 内容简介（中文）： 陈枚，上海松江人。字载东，号殿抡，晚号枝窝头院。画初学宋人，后折衷唐寅，参以西洋法。清圣祖康熙三十八年（一六九九）由官方出版「佩文斋耕织图」，康熙帝亲自写序作诗，而图版则出自院画家焦秉贞之手，再由朱圭镌刻完成。本幅详绘旧日农家耕种稻谷与养蚕织布的程序。据其上高宗乾隆四年（一七三九）跋云，此册乃为体念圣祖重农桑，勤恤民隐之心，而命臣工再绘前图，并录旧作于上，故不论诗文、画风均与康熙年之作相类。 内容简介（英文）： Ch’en Mei (style name Tsai-tung; sobriquets Tien-lun and Chih-wo t’ou-t’uo) began his study of painting following the Sung dynasty (960-1279) masters, and later broke from the style of T’ang Yin (1470-1524) to learn contemporary European methods. In 1699, The P’ei-wen-chai Odes and Images of Agriculture and Sericulture was published in the reign of the K’ang-hsi emperor (r.1662-1722). For the edition, the emperor personally composed a preface and poems, the court artist Chiao Ping-chen painted the illustrations, and Chu Kuei had them engraved for printing. The work here describes in detail the activities in traditional China related to farming (such as planting and harvesting) and silk production (such as raising silkworms and weaving cloth). According to a colophon written in 1739 by the Ch’ien-lung emperor (r.1736-1795). This album was done in dedication of the K’ang-hsi emperor’s support of agriculture and sericulture. Court painters were ordered to reproduce the illustrations and have the old inscriptions recorded over them. Thus, this work reproduces the style of writing, poetry, and painting found in the reign of the K’ang-hsi emperor.