书体:

色彩:

装裱形式:

册(折装)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝（重一）
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别： 签；封面 金文眉香万年。

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页154 收藏着录： 故宫书画图录，第二十五册，页304-307 内容简介（中文）： 程志道，字又川，乾隆时（约当公元一七三六年前后），江苏吴县人。供职当时画院，擅长山水画，曾与陈枚、金昆、戴洪、孙祐等人合绘清明上河图，有名于时。画史记载他的画法出自娄东王原祁一派。事实上，受王翬的影响也很深。作品特色，是用笔精细，山石皴纹繁密而肌理清晰，着色鲜丽明净，构图复杂，峰、树木、房舍、桥樑、道路安置，都能层次分明，千山万水，如在眼前，令人油然而兴旅游之思。 内容简介（英文）： Plum SceneCh’an Chih-taoCh’ing Dynasty Ch’en Chih-tao (tzu You-ch’uan) was active around 1936. A native of Wuhsien, Kiangsu, he served as an official and also as an Academy painter. He was well known during his own time as a landscapist and cooperated with other Ch’ing artists to execute the “City of Cathay” handscroll. Some texts claim he belongs to the same school as Wang Yüan-ch’i, but in actuality Wang Hui had very deep influence on him. His works are most distinctive and his use of the brush is very precise and meticulous. The ts’un strokes of mountains and rocks are very dense and tightly arranged; the application of color is particularly lovely. Within such a complex composition, the rows of mountain peaks, the trees, the pavilion, the bridge and the paths are all laid out precisely; the myriad peaks and streams appear as if directly before the viewer’s eyes, inticing one to actually roam in the landscape before him.