书体:

色彩:

设色

装裱形式:

册(折装‧纨扇式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：石渠宝笈
鑑藏宝玺：宝笈三编

题跋资料:

题跋类别：题跋；作者：何源洙对幅 ；书体：行书；全文：春生残雪外。酒尽落梅时。白日山川映。青天草木宜。摘陈简斋句。源洙。印记：鲁存氏、梦洲人

主题:

主要主题：山水冬景（雪景） ；其他主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆） ；其他主题：树木  ；其他主题：树木杨柳 ；其他主题：建筑水榭 ；其他主题：建筑桥 ；其他主题：船  

技法:

工笔 人物衣纹描法(减笔) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页161 收藏着录： 故宫书画图录，第二十八册，页304-309 内容简介（中文）： 刘松年，淅江钱塘人，居清波门外，人呼刘清波，又呼暗门刘。南宋孝宗淳熙初画院学生，绍熙年间（一一九○—一一九四）画院待诏、师张训礼，工画人物、山水，神气清妙，时称绝品。 水阁内二人对坐交谈，童子随侍后侧。残柳上薄复白雪，树叶染以汁绿和朱磦等色，盖绘雪霁春融，柳桥水阁之溪岸景致。本幅画笔温婉，设色雅澹，淹有明人风尚，虽款题为刘松年，当系后人托名之作。 本幅为「宋元明人合璧」册第一开。 内容简介（英文）： Liu Sung-nien was a native of Ch'ien-t'ang in Chekiang Provice, and later lived outside of the Ch'ing-p'o gate resulting in his common appelations Liu Ch'ing-p'o and Liu of the Shadowy Gate. He was a student in the Imperial Painting Acadmy of the Hsiao-tsung emperor (reigned 1163-1189) of the Southern Sung Period. In the early 1190s he became a painter-in-attendance in the Academy where his meticulous figrure paintings and landscapes in the manner of his teacher Chang Hsun-li were praised as masterpieces. Inside the waterside pavilion two men sit engaged in conversation while a servant boy waits in attendance at one side. A fine layer of snow dusts the branches of the old, arching willows, and light green and vermilion pigments describe the leaves of the trees in this scene of the melting spring snow at the Willow Bridge Pavilion. The brushwork in this painting is gentle and pleasant, and the colors are quiet and refined. It is thoroughly imbued with the manner of Ming dynasty paintings, so although it is signed with Liu Sung-nien's name, it is in fact the work of a later artist. This album is the first leaf in the album, “Collected Jewels of Sung, Yuan and Ming Painting”.