书体:
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册(推蓬装‧折扇式)创作时间:
清宣宗道光二年(1822)文字类型:
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题跋类别:作者款识;作者:朱璨英;题跋位置:本幅;款识:壬午(西元一八二二年)秋日写唐人诗意。为少渠二兄大兄属。南邨朱璨英。;书体:行书;全文: 印记:五峯、梦尽落华閒主题:
主要主题:花草杏花技法:
写意 没骨 苔点参考资料:
收藏着录: 故宫书画录(卷八),第四册,页162 内容简介(中文): 朱璨英(活动于西元十九世纪中叶),生卒年不详,字五峰。此幅以没骨写生法画红杏满枝,用笔流畅,设色兼得雅致与鲜丽之趣。其构图意念依扇面边缘弧线延伸,选景去繁取简,疏密有致,自有一种雍容绰约的情调。画上有一小段跋:「壬午(西元一八二二年)写唐人诗意,为少渠二兄大人属。南邨朱璨英。」可知此图乃为友人少渠先生所作。画上左下角所钤「梦尽落华閒」,印文与绘画本身颇能呼应。本幅为「艺林清赏」册第七开。 内容简介(英文): Apricot BlossomsChu Ts’an-ying (act. mid-19th cent.)Ch’ing DynastyThere are very few details concerning the biography of Chu Ts’an-ying (style name Wu-feng). In this painting, Chu Ts’an-ying has used the boneless method (mo-ku) to paint from life a branch full of apricot blossoms. The brushwork is lively, and the colors are both elegant and bright. Chu Ts’an-ying utilized the elongated format of the fan, adopting a simplified rather than a complicated composition. There are both sparse and dense areas which are combined to produce a graceful and delicate scene.There is a short inscription on the painting which reads, “In 1822 I have painted the poetic ideas of T’ang poets for His Excellency Shao-chu. Chu Ts’an-ying of Nan-ts’un.” From this inscription it is clear that Chu Ts’an-ying painted this for his friend, Messr.Shao-chu. The seal “Meng-chin lo-hua-hsien” in the lower part of the painting complements the rest of the composition.This painting is the seventh leaf in the album Yi-lin ch’ing-shang.