书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸对幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：瑛宝；题跋位置：本幅；款识：怡菴嘱。瑛宝指戏。；书体：行书；全文： 印记：瑛宝之印、梦禅

题跋类别：题跋；作者：刘墉对幅癸酉秋日。录请菊轩太宰教和。石菴弟刘墉。；书体：行书；全文：（第一则）回道人坐睡。因坐倚星槎。踵息向鼻端。诩诩见精神。朱颜自好非关酒。鹤氅虽宽不受尘。飘缈海山应入梦。宛腾雄剑尚随身。仙家别有华胥国。剩比人间几倍春。丙子（西元一七五六年）秋日。（第二则）鹤骨龙筋几岁僵。凝来脑髓浣心肠。已成枯槁无生体。正有氤氲不尽香。沉水一痕苍玉重。博山双缕紫云翔。何人解试无烟火。午夜灯明证坐忘。癸酉（西元一七五三年）秋日。录请菊轩太宰教和。石菴弟刘墉。印记：刘墉之印、石菴

主题:

主要主题：花草莲荷 

技法:

写意 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页162 内容简介（中文）： 瑛宝（西元十八世纪后叶－十九世纪），满洲正白旗人。姓拜都氏，字梦禅，号閒菴。曾官笔帖式，然年三十即因足疾致仕，归后纯赖诗歌与丹青、篆刻自娱，最长于指画，作品以简贵胜，幷尝自许为高其佩（清中叶指画大家）后第一人。本幅属折扇式，画池塘一角，秋荷败叶相傍而生；通幅布局、墨彩俱极简淡。上幅另有刘墉于癸酉（一七五三）及丙子（一七五六）年之诗作二首。瑛宝与墉素为文字交，画风亦颇相类，此作堪为之证。 本幅为「艺林清赏」册第八开 内容简介（英文）： Ying Pao, surnamed Pai-tu, was a Manchu who belonged to the Plain White Banner group. His style name was Meng-ch’an, and his sobriquet was Hsien-an. He once served in the Clerks’ Office. When he was thirty, he retired from officialdom because of an illness affecting his feet. He occupied himself entirely with composing poetry, singing, painting, and carving seals, but he was most skilled in finger painting. Because of the simplicity of his works, he gained great fame. He also claimed that he was the first finger-painter after Kao Ch’i-p’ei, a great finger-painter of the middle Ch’ing dynasty. Painted on the format of a folding fan, this work is a depiction of a pond in one corner with withering autumn lotuses and leaves. Light ink and colors were used throughout the painting. On the upper portion there are two poems by Liu T’ang written in 1753 and 1756. Both Ying Pao and Liu T’ang were literary friends, and their styles were similar, as demonstrated in this work. This painting is the eighth leaf in the album Yi-lin ch’ing-shang.