书体:

色彩:

设色

装裱形式:

册(蝴蝶装‧折扇式)

创作时间:

明思宗崇祯三年（1630）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：郑重；题跋位置：本幅；款识：庚午（西元一六三○年）暮春之初为怀英辞丈画。郑重。；书体：楷书；全文： 印记：千里

主题:

其他主题：山水  ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）高士；其他主题：人物侍从（侍女、童仆）童仆；其他主题：树木杨柳杨；其他主题：花草桃花 ；其他主题：建筑房舍 

技法:

写意 皴法 人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页162 收藏着录： 故宫书画图录，第二十九册，页226-229 内容简介（中文）： 郑重（十七世纪），字千里，号无着，歙（今安徽歙县）人，流寓金陵（今南京），善写佛像，每画山水，丁云鹏推为赵伯驹后身。明窗下高士对语，僮仆往来送食。屋外杨树争绿，桃花映红。作者自谓写于「暮春」，为应时写生之作。画为泥金本，不吸墨，远山用石青渲染，金碧与鲜红，色彩搭配温馨感人。屋树、山陵布局亦妥贴安详，一派春光明媚。本幅为「披薰集古」册第七开。 内容简介（英文）： Cheng Chung, a native of Anhwei, lived in Nanking. He excelled at painting Buddhist figures. When he did landscapes, Ting Yün-p’eng praised him as the reincarnation of the famed Chao Po-chü. Visible through the bright window, two scholars chat as a servant brings food. Outside, green poplar trees and red-tinged peach trees correspond to what the artist inscribed as “late spring”. This is probably a scene depicted from life. Done on golden paper that did not readily absorb the ink, he used washes of blue for the distant mountains as well as green and red colors for a pleasant, warm scene. The house, trees, mountains, and hills are all harmoniously arranged as mountains rise in the distance. This is the 7th leaf from P’i-hsün chi-ku.