书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：计采；题跋位置：本幅；款识：法清于女史笔。延卿大姊大人正之。计采。；书体：行书；全文： 印记：香郊

主题:

主要主题：花草梅（白．红．蜡梅） 

技法:

写意 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页163 收藏着录： 故宫书画图录，第三十册，页136-139 参考书目： 1.张华芝，〈计采梅花〉，收入刘芳如、张华芝主编，《群芳谱 — 女性的形象与才艺》（台北：国立故宫博物院，2003年初版一刷），页197。2.刘芳如，〈清计采画梅〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页102。 内容简介（中文）： 计采，字小娥，浙江嘉兴人。计楠（西元一七六０–一八三四年）孙女，工诗书画，有闺中三绝之誉。画承祖风，楠喜艺花，画竹石草虫，雅秀绝俗，尤善画梅，乞画者夥，辄点色为红梅应之，时称计红梅。 此图画红白梅二枝自右上隅伸入，姿态清雅婀娜。红梅以石青染干，胭脂点瓣，白梅则以淡墨写枝圈瓣，胡粉填廓。众花俯仰开合，风姿绰约，尤其没骨红梅，设色轻重深浅，变化多端，乃祖计红梅之风格，由此可窥一斑。 本幅为「花卉画册」第九开。 内容简介（英文）： Chi Ts’ai (style name Hsiao-e) was a native of Chia-hsing in Chekiang and the granddaughter of Chi Nan (1760-1834). She was good at poetry, calligraphy, and painting and praised for possessing these “Three Perfections” among lady artists. She inherited the family painting style. Her grandfather was fond of planting flowers and painting bamboo with rocks, plants, and insects; all of which were elegant and extraordinary. He particularly excelled at painting plum blossoms. Many people requested plum blossom paintings from him and he often responded by presenting them with paintings of red plum blossoms. He was praised at the time as “Chi of the Red Plum.” In this album leaf is a branch of white plum blossoms and one of red which extend into the picture plane in the upper left corner with elegant and graceful gestures. The trunk of the red plum was colored with mineral green and rouge was used to dot the petals. Lead white was liberally applied to depict the circular petals on the white plum blossom branch. The numerous blossoms are facing up and down, and either open or closed. Their poses are charmingly delicate, especially those of the “boneless” red plum with no outlines in numerous variations of soft to heavy applications of deep to light colors. Thus, from this painting we can catch a glimpse of Chi Nan’s style of red plum blossoms.